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title: TrustMovies

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language: en

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one word phrases repeated minimum three times

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B tags

Oliver Laxe

YOU ARE ALL CAPTAINS

Ines Thomsen

FIPRESCI

Northwest Film Forum

Anthology Film Archives

here

Cheyenne Jackson

THE GREEN

Paul Macarelli

Steven Williford

All My Children

Daryl Roth

sturm und drang

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Jeffrey Dean Morgan

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Jason Clarke

Chloë Grace Moretz

Kick-Ass

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Let the Right One In

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Bombay Beach

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Budding filmmaker Oliver Laxe has only one film to his credit so far, but YOU ARE ALL CAPTAINS (TODOS VÓS SODES CAPITÁNS

Mr. Laxe, shown at left -- who wrote, directed and appears in his movie as one of the leading actors -- has quite an interes-ting history. I sug-gest clicking on this "history" link and reading what the filmmaker has to say about himself and his project -- though maybe after

We see a bit of the children's lives and group home, then some would-be filming, and midway, problems seem to arise (we don't really see these), and the filmmaker begs one of the older kids (shown below) -- or maybe a younger adult -- to be his assistant. The guy refuses, and then, it seems that he and the kids take over the film themselves -- shooting some of the very things that the kids have stated they wanted to film all along. The movie ends with a very, very

What's missing most here is any sense of the genuinely organic. You Are All Captains

The films pacing is also jagged. Certain scenes go on and on, while others seem unnecessarily abrupt, adding to the movie's sense of fracture. Ideas are here, all  right, but they are not brought to the kind of life that good narrative filmmaking can offer, yet neither does the movie work as a documentary because it is so clearly not

As another in the burgeoning array of hybrid docs, You Are All Captains

This is too bad. The filmmakers (TV soap maven Steven Williford of All My Children, shown at right, directed, and legit theater vet Daryl Roth is one of the executive producers) have rounded-up a good group of actors -- some "name," some not-so -- all of whom deliver as best they can. They all have  their moments, but with a screenplay that seems as increasingly contrived as this one, those moments appear just part of all the melodrama that's coalescing into a very deep pile of sturm und drang

Illeana Douglas (above, right: always great to see her

The Green

Jessica Chastain (above) to possible suspects like the tatooed creep played very

Texas Killing Fields

Trespass

Secuestrados

But then, as the twists and turns pile up (at least half of these increasingly dumb and unbelievable), what should become fraught and tense instead starts to simply unravel. Eventually, we're rolling our tired eyes. In Kidnapped

Compared to the genuine suspense Schumacher generated in Phone Booth

Mr. Tito, shown at left, takes his time getting to the gore, however. The first killing, if it is

The story itself is said to be based on fact, but the only fact I could find comes in the opening credit that explains something about a young girl seeing the Virgin Mary back in the 15th century. Basing your story on that

Still, Tito, Oddi and their cinematographer Michele De Angelis do come up with some nice visuals now and then, combining color, darkness, religious motifs, nunsploitation and gore.  Death of the Virgin

Yet another in the ever-expanding realm of hybrid documen-taries, BOMBAY BEACH, the unique new film from Israeli artist/filmmaker Alma Har'el, should prove unlike anything you've yet seen. Because the film won Best Feature Documentary at this year's Tribeca Film Festival, I was prepared to watch a documentary. But as I did, time and again, "What's this

arranges

And this is the beauty and mystery of the film. In the case of all

,

Bombay Beach

Bombay Beach --

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Monday, October 17, 2011

Sunday, October 16, 2011

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Thursday, October 13, 2011

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Tuesday, October 11, 2011

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