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HTTP headers
HTTP/1.1 200 OK
Date: Fri, 14 Oct 2011 21:14:35 GMT
Server: Apache mod_fcgid/2.3.6 mod_auth_passthrough/2.1 mod_bwlimited/1.4 FrontPage/5.0.2.2635
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thenoise.ca | A | 174.132.30.184 | IN | 14400 | |
thenoise.ca | SOA | ns1.focusedcreative.com | noise.thenoise.ca | 2010120702 | 86400 7200 3600000 86400 IN 43200 |
thenoise.ca | MX | 0 | thenoise.ca | IN | 14400 |
thenoise.ca | TXT | v=spf1 a mx include:websitewelcome.com ~all | Array | IN | 14400 |
thenoise.ca | NS | ns2.focusedcreative.com | IN | 43200 | |
thenoise.ca | NS | ns1.focusedcreative.com | IN | 43200 |
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Typos (misspells)
rhenoise.ca fhenoise.ca ghenoise.ca yhenoise.ca 6henoise.ca 5henoise.ca tgenoise.ca tbenoise.ca tnenoise.ca tjenoise.ca tuenoise.ca tyenoise.ca thwnoise.ca thsnoise.ca thdnoise.ca thrnoise.ca th4noise.ca th3noise.ca theboise.ca themoise.ca thejoise.ca thehoise.ca theniise.ca | thenkise.ca thenlise.ca thenpise.ca then0ise.ca then9ise.ca thenouse.ca thenojse.ca thenokse.ca thenoose.ca theno9se.ca theno8se.ca thenoiae.ca thenoize.ca thenoixe.ca thenoide.ca thenoiee.ca thenoiwe.ca thenoisw.ca thenoiss.ca thenoisd.ca thenoisr.ca thenois4.ca thenois3.ca | henoise.ca tenoise.ca thnoise.ca theoise.ca thenise.ca thenose.ca thenoie.ca thenois.ca htenoise.ca tehnoise.ca thneoise.ca theonise.ca theniose.ca thenosie.ca thenoies.ca tthenoise.ca thhenoise.ca theenoise.ca thennoise.ca thenooise.ca thenoiise.ca thenoisse.ca thenoisee.ca |
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IP: 174.132.30.184
continent: NA, country: United States (USA), city: Houston
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Basic information
website build using CSS
code weight: 295.29 KB
text per all code ratio: 78 %
title: NoisePage 08 | Noise’s Place on the web
description:
keywords:
encoding: UTF-8
language: en-US
Website code analysis
one word phrases repeated minimum three times
Phrase | Quantity |
---|---|
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to | 971 |
and | 673 |
of | 485 |
you | 378 |
is | 371 |
in | 335 |
for | 320 |
it | 302 |
that | 301 |
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M1 | 292 |
on | 280 |
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this | 191 |
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my | 175 |
or | 157 |
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The | 145 |
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me | 110 |
1995 | 107 |
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get | 95 |
any | 94 |
just | 94 |
by | 94 |
all | 94 |
sounds | 91 |
30 | 90 |
up | 89 |
one | 89 |
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42 | 86 |
F0 | 86 |
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MIDI | 85 |
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do | 84 |
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Oct | 82 |
19 | 76 |
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was | 73 |
Korg | 73 |
1996 | 72 |
10 | 72 |
will | 71 |
If | 71 |
like | 71 |
them | 70 |
out | 70 |
It | 70 |
has | 69 |
so | 69 |
M1* | 68 |
anyone | 66 |
about | 63 |
set | 63 |
4E | 62 |
which | 60 |
I’m | 60 |
sequencer | 59 |
only | 59 |
they | 59 |
program | 58 |
list | 58 |
using | 58 |
how | 53 |
when | 53 |
more | 53 |
new | 53 |
noise | 52 |
back | 51 |
Dec | 50 |
what | 50 |
am | 49 |
patches | 49 |
had | 49 |
been | 48 |
00 | 48 |
I’ve | 47 |
other | 47 |
very | 47 |
PC | 47 |
it’s | 46 |
sound | 46 |
play | 45 |
need | 45 |
You | 45 |
time | 44 |
------- | 44 |
Thu, | 44 |
same | 44 |
sample | 44 |
Midi | 43 |
send | 42 |
different | 41 |
12 | 41 |
should | 41 |
Feb | 41 |
good | 40 |
Fri, | 40 |
put | 40 |
also | 39 |
able | 39 |
programs | 38 |
still | 38 |
*********************************************************** | 38 |
-0400 | 38 |
way | 37 |
over | 37 |
To | 37 |
SAM1 | 37 |
wrote: | 37 |
little | 36 |
Is | 36 |
don’t | 36 |
This | 35 |
want | 35 |
midi | 35 |
think | 35 |
Jan | 34 |
Invision | 34 |
then | 34 |
bank | 34 |
file | 34 |
used | 33 |
could | 33 |
-0500 | 33 |
where | 33 |
Thanks | 33 |
Hi | 33 |
M1, | 32 |
channel | 32 |
samples | 32 |
95 | 31 |
find | 31 |
Wed, | 31 |
John | 31 |
go | 31 |
make | 30 |
than | 30 |
Mon, | 30 |
In | 30 |
notes | 30 |
02 | 30 |
number | 30 |
41 | 30 |
PCM | 30 |
card | 30 |
two | 29 |
these | 29 |
who | 29 |
I’ll | 29 |
see | 29 |
change | 28 |
data | 28 |
got | 28 |
sure | 28 |
memory | 28 |
let | 28 |
help | 27 |
Tue, | 26 |
probably | 26 |
M1. | 26 |
patch | 26 |
sys-ex | 25 |
KORG | 25 |
software | 25 |
something | 25 |
since | 25 |
-0800 | 25 |
kind | 25 |
someone | 24 |
its | 24 |
But | 24 |
really | 24 |
off | 24 |
try | 24 |
their | 24 |
another | 24 |
while | 24 |
it. | 24 |
pretty | 23 |
Does | 23 |
combination | 23 |
drum | 23 |
were | 23 |
key | 23 |
seems | 23 |
+0100 | 22 |
down | 22 |
>I | 22 |
playback | 22 |
problem | 22 |
save | 22 |
stuff | 22 |
device | 22 |
Mac | 22 |
few | 22 |
may | 22 |
Now | 22 |
disk | 21 |
Lohman | 21 |
give | 21 |
lot | 21 |
come | 21 |
series | 21 |
those | 21 |
interested | 21 |
through | 21 |
share | 21 |
korg-m1-l@io.org | 21 |
mailing | 21 |
start | 21 |
message | 20 |
even | 20 |
EST | 20 |
My | 20 |
great | 20 |
08 | 20 |
M1′s | 20 |
tell | 20 |
each | 20 |
Combi | 20 |
anybody | 20 |
Posted | 20 |
keyboard | 19 |
list. | 19 |
At | 19 |
does | 19 |
changes | 19 |
page | 19 |
noise@io.org | 19 |
So | 19 |
It’s | 19 |
And | 19 |
music | 19 |
found | 19 |
Any | 19 |
On | 19 |
can’t | 19 |
system | 19 |
With | 19 |
M3R | 18 |
Wavestation | 18 |
r_lohman@nl.ibm.com | 18 |
read | 18 |
mode | 18 |
interface | 18 |
All | 18 |
26 | 18 |
demo | 18 |
effects | 18 |
no | 18 |
info | 18 |
-- | 18 |
we | 18 |
might | 18 |
Sat, | 18 |
100 | 18 |
T1 | 18 |
>the | 18 |
There | 17 |
called | 17 |
11 | 17 |
strings | 17 |
For | 17 |
change) | 17 |
cool | 17 |
sent | 17 |
right | 17 |
it, | 17 |
address | 17 |
seem | 16 |
control | 16 |
because | 16 |
computer | 16 |
made | 16 |
note | 16 |
apply | 16 |
without | 16 |
Michele | 16 |
post | 16 |
tracks | 16 |
track | 16 |
Chris | 16 |
now | 16 |
messages | 16 |
here | 16 |
battery | 16 |
David | 16 |
expansion | 16 |
mode, | 16 |
16 | |
etc. | 16 |
posted | 16 |
call | 16 |
What | 16 |
group | 15 |
part | 15 |
>to | 15 |
around | 15 |
Here | 15 |
Jacek | 15 |
playing | 15 |
load | 15 |
first | 15 |
couple | 15 |
never | 15 |
best | 15 |
work | 15 |
old | 15 |
people | 15 |
channels | 15 |
else | 15 |
synth | 15 |
Then | 15 |
+0200 | 15 |
last | 15 |
* | 14 |
Pro | 14 |
Mailing | 14 |
saved | 14 |
(I | 14 |
know. | 14 |
NL52932 | 14 |
Sun, | 14 |
Smalt) | 14 |
after | 14 |
many | 14 |
long | 14 |
internal: | 14 |
UITVM1 | 14 |
phone | 14 |
own | 14 |
vriendelijke | 14 |
groet | 14 |
regards, | 14 |
files | 14 |
trntrm01@cidoc.iuav.unive.it | 14 |
I'm | 14 |
real | 14 |
hope | 14 |
RE: | 14 |
thing | 14 |
heard | 14 |
please | 14 |
sysex | 14 |
already | 14 |
(Chris | 14 |
time, | 14 |
How | 14 |
M1. | 14 |
> | 14 |
List | 14 |
>> | 14 |
IBM | 13 |
bit | 13 |
david.abramsky@oln.com | 13 |
buy | 13 |
I’d | 13 |
looking | 13 |
record | 13 |
wanted | 13 |
format | 13 |
recall | 13 |
most | 13 |
doesn’t | 13 |
much | 13 |
select | 13 |
M1's | 13 |
running | 13 |
internal | 13 |
As | 13 |
RAM | 13 |
web | 13 |
Hello | 13 |
Hope | 13 |
Sequencer | 13 |
getting | 13 |
AM | 13 |
Anwar | 13 |
well | 13 |
01 | 13 |
Dutch | 13 |
seen | 13 |
making | 13 |
SAM-1 | 13 |
article | 13 |
tried | 13 |
Also, | 13 |
don't | 12 |
upgrade | 12 |
combinations | 12 |
96 | 12 |
did | 12 |
between | 12 |
both | 12 |
Cakewalk | 12 |
T3 | 12 |
big | 12 |
anything | 12 |
makes | 12 |
12 | |
12 | |
via | 12 |
Program | 12 |
sampler | 12 |
before | 12 |
VDF | 12 |
copy | 12 |
They | 12 |
disks | 12 |
jsexton@gate.net | 12 |
39 | 12 |
nice | 12 |
question | 12 |
board | 12 |
being | 12 |
things | 12 |
must | 12 |
maybe | 12 |
techno | 12 |
information | 12 |
available | 12 |
isn’t | 12 |
several | 12 |
quality | 12 |
recording | 12 |
wondering | 12 |
say | 11 |
1. | 11 |
mentioned | 11 |
house/techno | 11 |
organ | 11 |
Sorry | 11 |
Latanowicz | 11 |
volume | 11 |
K> | 11 |
sending | 11 |
Mode | 11 |
run | 11 |
Flowers | 11 |
These | 11 |
smalt@nnet.nedernet.nl | 11 |
Christmas | 11 |
small | 11 |
compatible | 11 |
(and | 11 |
original | 11 |
during | 11 |
whole | 11 |
Met | 11 |
PROGRAM | 11 |
such | 11 |
2) | 11 |
Internet: | 11 |
Rein | 11 |
Please | 11 |
One | 11 |
ya | 11 |
power | 11 |
cutoff | 11 |
choose | 11 |
http://www.gate.net/~jsexton/index.htm | 11 |
better | 11 |
N | 11 |
works | 11 |
… | 11 |
http://www.io.org/~noise/ | 11 |
Can | 11 |
add | 11 |
@io.org | 11 |
drive | 10 |
10 | |
parameter | 10 |
problems | 10 |
switch | 10 |
along | 10 |
instruments | 10 |
double | 10 |
Sexton | 10 |
full | 10 |
live | 10 |
M1/T1; | 10 |
When | 10 |
——————————————– | 10 |
24 | 10 |
version | 10 |
going | 10 |
sequencers | 10 |
far | 10 |
you’ll | 10 |
@io.org | 10 |
effect | 10 |
hard | 10 |
changed | 10 |
appreciate | 10 |
HELPING | 10 |
quite | 10 |
why | 10 |
rather | 10 |
least | 10 |
possible | 10 |
SE-50 | 10 |
NEW, | 10 |
————————————- | 10 |
them. | 10 |
Do | 10 |
Sound | 10 |
et | 10 |
sounds. | 10 |
sequencer, | 10 |
banks | 10 |
New | 10 |
machine | 10 |
company | 10 |
you’re | 10 |
dump | 10 |
VFX | 10 |
home | 9 |
Tornatore | 9 |
.syx | 9 |
Pekka | 9 |
until | 9 |
21 | 9 |
haven’t | 9 |
03 | 9 |
keys | 9 |
download | 9 |
take | 9 |
list, | 9 |
16 | 9 |
it's | 9 |
Vision | 9 |
check | 9 |
ftp | 9 |
appreciated. | 9 |
us | 9 |
INTERNAL | 9 |
window | 9 |
I've | 9 |
(+program | 9 |
helps | 9 |
(i.e. | 9 |
always | 9 |
I'M | 9 |
too. | 9 |
2008 | 9 |
front | 9 |
amount | 9 |
Just | 9 |
Amiga | 9 |
piano | 9 |
Play | 9 |
you. | 9 |
house | 9 |
large | 9 |
willing | 9 |
all, | 9 |
February | 9 |
them. | 9 |
well. | 9 |
year | 9 |
trying | 9 |
Double | 9 |
M1- | 9 |
problem. | 9 |
course | 9 |
multisounds | 9 |
Some | 9 |
time. | 8 |
Now, | 8 |
actually | 8 |
respond | 8 |
mode. | 8 |
useful | 8 |
Merry | 8 |
reach | 8 |
fellow | 8 |
checked | 8 |
easy | 8 |
every | 8 |
R. | 8 |
SEQUENCER | 8 |
velocity | 8 |
that, | 8 |
list. | 8 |
combi | 8 |
Combination | 8 |
Time | 8 |
end | 8 |
2. | 8 |
Kyle | 8 |
Peter | 8 |
AWE32 | 8 |
Since | 8 |
*** | 8 |
PM | 8 |
look | 8 |
address: | 8 |
receiving | 8 |
PST | 8 |
port | 8 |
After | 8 |
clock | 8 |
I24 | 8 |
light | 8 |
Club | 8 |
2 | 8 |
1 | 8 |
Track | 8 |
wouldn’t | 8 |
FX1 | 8 |
dont | 8 |
user | 8 |
function | 8 |
Greetings | 8 |
doing | 8 |
FX2 | 8 |
— | 8 |
track. | 8 |
Chnl | 8 |
love | 8 |
T2 | 8 |
enough | 8 |
noticed | 8 |
Or | 8 |
Lohman” | 8 |
A. | 8 |
0F | 8 |
started | 8 |
8 | |
“R. | 8 |
slot | 8 |
COMBINATION | 8 |
inside | 8 |
shareware | 8 |
times | 8 |
FRIEND | 8 |
(+ | 8 |
too | 8 |
everyone | 8 |
button | 8 |
string | 8 |
hi | 8 |
joystick | 8 |
CARD | 8 |
i.e. | 8 |
similar | 8 |
free | 8 |
sounds, | 8 |
18 | 7 |
editor | 7 |
Paul | 7 |
fast | 7 |
value | 7 |
you’ve | 7 |
plays | 7 |
press | 7 |
09 | 7 |
Tornatore) | 7 |
(Michele | 7 |
net | 7 |
Mestre | 7 |
30172 | 7 |
Aleardi, | 7 |
creating | 7 |
7/B | 7 |
Beyond | 7 |
(Venezia) | 7 |
type | 7 |
Subject: | 7 |
voice | 7 |
magazine | 7 |
Yamaha | 7 |
yet. | 7 |
ITALY | 7 |
Tel. | 7 |
—————————————————————— | 7 |
em | 7 |
cost | 7 |
you, | 7 |
3, | 7 |
downloaded | 7 |
>Is | 7 |
price | 7 |
worth | 7 |
Happy | 7 |
Here’s | 7 |
situation | 7 |
came | 7 |
fix | 7 |
due | 7 |
Hi, | 7 |
Windows | 7 |
Patches | 7 |
bought | 7 |
pan | 7 |
store | 7 |
Steve | 7 |
particular | 7 |
Yes, | 7 |
Hammond | 7 |
Hi! | 7 |
that’s | 7 |
this. | 7 |
transfer | 7 |
write | 7 |
experience | 7 |
bass | 7 |
digest | 7 |
pro | 7 |
Downloading | 7 |
M3, | 7 |
P. | 7 |
UK | 7 |
especially | 7 |
everything | 7 |
device. | 7 |
Shoaib | 7 |
me, | 7 |
voices | 7 |
I, | 7 |
morritt@passport.ca | 7 |
quasi | 7 |
yet | 7 |
leads | 7 |
pertinent | 7 |
sends | 7 |
(CICERONE, | 7 |
onto | 7 |
now. | 7 |
Of | 7 |
produced | 7 |
me. | 7 |
happened | 7 |
commune | 7 |
quoddam | 7 |
se | 7 |
Archia, | 7 |
habent | 7 |
vinculum, | 7 |
Librarian | 7 |
though. | 7 |
I'll | 7 |
COMBI | 7 |
ad | 7 |
SAM1. | 7 |
Via | 7 |
cognatione | 7 |
quae | 7 |
Well, | 7 |
artes | 7 |
receive | 7 |
played | 7 |
inter | 7 |
humanitatem | 7 |
quadam | 7 |
text | 7 |
sort | 6 |
names | 6 |
done | 6 |
Anybody | 6 |
Regards, | 6 |
| | 6 |
Set | 6 |
Start | 6 |
guitar | 6 |
Luis | 6 |
details | 6 |
0E | 6 |
more. | 6 |
up, | 6 |
per | 6 |
step | 6 |
instead | 6 |
M1R | 6 |
product. | 6 |
assign | 6 |
hooked | 6 |
there’s | 6 |
Home | 6 |
considering | 6 |
Try | 6 |
comes | 6 |
whether | 6 |
Multisounds | 6 |
audio | 6 |
knowing | 6 |
extra | 6 |
here's | 6 |
analog | 6 |
high | 6 |
Cheers | 6 |
crash | 6 |
so, | 6 |
coming | 6 |
Audio | 6 |
edit | 6 |
Hey | 6 |
ChickenSax@aol.com | 6 |
Let | 6 |
patches.. | 6 |
in. | 6 |
MIDI, | 6 |
option | 6 |
Nate | 6 |
all? | 6 |
card, | 6 |
sampling | 6 |
sorry | 6 |
Archives | 6 |
(like | 6 |
sjs@corp.portal.com | 6 |
#2 | 6 |
-steve | 6 |
T1, | 6 |
gets | 6 |
Download | 6 |
1, | 6 |
working | 6 |
basically | 6 |
band | 6 |
it? | 6 |
CD | 6 |
anymore. | 6 |
parts | 6 |
convert | 6 |
Organ | 6 |
GENERAL | 6 |
knows | 6 |
open | 6 |
slot, | 6 |
written | 6 |
battery? | 6 |
Magazine | 6 |
(EST) | 6 |
related | 6 |
correct | 6 |
*************************************************************************** | 6 |
About | 6 |
feature | 6 |
Drum | 6 |
spend | 6 |
beat. | 6 |
across | 6 |
line | 6 |
Galaxy | 6 |
instrument | 6 |
random | 6 |
usually | 6 |
course, | 6 |
here’s | 6 |
our | 6 |
6 | |
midimap.cfg | 6 |
normal | 6 |
Zadok | 6 |
general | 6 |
128 | 6 |
vs. | 6 |
Thanks! | 6 |
do. | 6 |
forgets | 6 |
opposed | 6 |
plugged | 6 |
slightly | 6 |
well, | 6 |
waveforms | 6 |
takes | 6 |
Prgm | 6 |
Global | 6 |
uses | 6 |
(or | 6 |
folks | 6 |
setup | 6 |
replace | 6 |
13 | 6 |
settings | 6 |
Has | 6 |
uploaded | 6 |
left | 6 |
keep | 6 |
features | 6 |
To: | 6 |
Sounds | 6 |
stuck | 6 |
change. | 6 |
except | 6 |
AND | 6 |
followed | 6 |
multi-timbral | 6 |
958747 | 6 |
41- | 6 |
However, | 6 |
988074 | 6 |
good. | 6 |
types | 6 |
name | 6 |
good, | 6 |
formatted | 6 |
Paolo | 6 |
he | 6 |
retention | 6 |
Studio | 6 |
this, | 6 |
interface. | 6 |
Logic | 5 |
NATEGOULET@ids.net | 5 |
side | 5 |
files, | 5 |
difference | 5 |
weeks | 5 |
Software??? | 5 |
utility | 5 |
song | 5 |
Dear | 5 |
sites | 5 |
Carl | 5 |
split | 5 |
From: | 5 |
Sent: | 5 |
bhapgood@spry.com | 5 |
Cheers, | 5 |
reads | 5 |
To: | 5 |
december | 5 |
PCMs | 5 |
string: | 5 |
Did | 5 |
instance, | 5 |
gear | 5 |
piece | 5 |
either | 5 |
try, | 5 |
programs, | 5 |
>noise | 5 |
M3r, | 5 |
e-mail: | 5 |
>>> | 5 |
programming | 5 |
pay | 5 |
interface, | 5 |
ever | 5 |
searching | 5 |
That’s | 5 |
>and | 5 |
apparently | 5 |
level | 5 |
support | 5 |
them, | 5 |
Edit | 5 |
exactly | 5 |
AKAI | 5 |
selected | 5 |
process, | 5 |
example | 5 |
order | 5 |
changing | 5 |
it. | 5 |
Thanks, | 5 |
(with | 5 |
librarian | 5 |
By | 5 |
contains | 5 |
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keyboards | 4 |
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decode | 4 |
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ac125@cfn.cs.dal.ca | 4 |
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single | 4 |
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hex | 3 |
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point | 3 |
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turning | 3 |
on. | 3 |
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compatibility | 3 |
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(212) | 3 |
m1togm.zip... | 3 |
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filter | 3 |
File | 3 |
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complement | 3 |
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writes | 3 |
specific | 3 |
global | 3 |
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plug | 3 |
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box | 3 |
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review | 3 |
200 | 3 |
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motherboard | 3 |
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upside | 3 |
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wanting | 3 |
battery. | 3 |
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subject | 3 |
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harddisk | 3 |
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recording? | 3 |
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timing | 3 |
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http://www.homeless.com/homepages/johnf@scd.hp.com.html | 3 |
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Jesus@Saviour.God | 3 |
setting | 3 |
Local | 3 |
Hrs | 3 |
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all! | 3 |
Life | 3 |
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Mark | 3 |
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3 | |
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(PDT) | 3 |
_|/_______________________ | 3 |
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Motion | 3 |
johnf@scd.hp.com | 3 |
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white | 3 |
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compiling | 3 |
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2/9/96, | 3 |
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bring | 3 |
smalt@nedernet.nl | 3 |
format, | 3 |
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World | 3 |
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vice | 3 |
positive | 3 |
prog” | 3 |
pages | 3 |
with. | 3 |
Book | 3 |
EVERYONE……Sorry | 3 |
confusion. | 3 |
extended | 3 |
existing | 3 |
Reply-to: | 3 |
To: | 3 |
From: | 3 |
Upgrade | 3 |
wanna | 3 |
CA. | 3 |
handy. | 3 |
me…..to | 3 |
Alto, | 3 |
patches. | 3 |
why, | 3 |
Palo | 3 |
Vinny | 3 |
punzo@pinerolo.gvo.it | 3 |
Im | 3 |
sorry, | 3 |
compatible, | 3 |
MacMillan | 3 |
heavy | 3 |
choir | 3 |
pitch | 3 |
extension | 3 |
y’all! | 3 |
NT | 3 |
them- | 3 |
M1/T1? | 3 |
house/ | 3 |
scratch. | 3 |
diffi- | 3 |
mine. | 3 |
analogue | 3 |
resembling | 3 |
pad | 3 |
-0700 | 3 |
P.S. | 3 |
presets. | 3 |
RaveGuy | 3 |
please. | 3 |
>Hey | 3 |
M1: | 3 |
poster | 3 |
>sequencer | 3 |
hand | 3 |
ideas? | 3 |
Moog, | 3 |
analog, | 3 |
Mini-Moog, | 3 |
close. | 3 |
Techno | 3 |
kits | 3 |
House | 3 |
cymbal | 3 |
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memeber | 3 |
ROM | 3 |
deal | 3 |
again) | 3 |
Christmas! | 3 |
JOB | 3 |
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whem | 3 |
they're | 3 |
recorded | 3 |
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controllers | 3 |
records | 3 |
it). | 3 |
bandwidth, | 3 |
determines | 3 |
redistributed | 3 |
outputs. | 3 |
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going. | 3 |
(EDT) | 3 |
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everyone! | 3 |
easier | 3 |
thinks | 3 |
15 | 3 |
Piano | 3 |
starting | 3 |
trick | 3 |
Active | 3 |
-0600 | 3 |
stops | 3 |
drivers | 3 |
push | 3 |
’cause | 3 |
loop? | 3 |
M1? | 3 |
flat | 3 |
happen | 3 |
key, | 3 |
are: | 3 |
affect | 3 |
basic | 3 |
gently | 3 |
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Vision. | 3 |
MUG | 3 |
second | 3 |
dumps | 3 |
12-bit | 3 |
Digests | 3 |
you're | 3 |
job | 3 |
off. | 3 |
decent | 3 |
spring | 3 |
er’s | 3 |
M-1 | 3 |
Vancouver, | 3 |
yer | 3 |
wishes | 3 |
package | 3 |
me? | 3 |
series(X2,X3,X5) | 3 |
series(O1W,O2W,O3W). | 3 |
>will | 3 |
>really | 3 |
lip | 3 |
>windows-based | 3 |
http://www.webcom/playloud/SoundLib/sndlintr.html | 3 |
(SR,A/D), | 3 |
M-1, | 3 |
(Big | 3 |
sounds. | 3 |
half) | 3 |
upper | 3 |
half, | 3 |
good. | 3 |
simulate | 3 |
wind | 3 |
pedal, | 3 |
Will | 3 |
(bass | 3 |
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modem | 3 |
valid | 3 |
sequence | 3 |
(most | 3 |
playing, | 3 |
notes, | 3 |
likely | 3 |
+0100, | 3 |
prices | 3 |
Juliano | 3 |
floppies | 3 |
kchowning@foxmail.gfc.edu | 3 |
articles | 3 |
recording, | 3 |
simple | 3 |
sequencer. | 3 |
mode) | 3 |
(Kyle | 3 |
Chowning) | 3 |
inexpensive. | 3 |
matter | 3 |
price, | 3 |
anyway) | 3 |
language!!!! | 3 |
Sequencers | 3 |
speak | 3 |
dumping | 3 |
menu. | 3 |
"out" | 3 |
Anyway, | 3 |
>with | 3 |
proper | 3 |
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input | 3 |
driver | 3 |
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completely | 3 |
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reason | 3 |
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missing | 3 |
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example, | 3 |
process | 3 |
(unix | 3 |
machines | 3 |
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compressed) | 3 |
Rob | 3 |
Hello, | 3 |
Could | 3 |
Most | 3 |
calkwalk | 3 |
comments | 3 |
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+0800 | 3 |
Location | 3 |
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meant | 3 |
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4.0 | 3 |
extension. | 3 |
reaching | 3 |
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studio | 3 |
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various | 3 |
interpretable | 3 |
demo, | 3 |
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particularly | 3 |
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+0000 | 3 |
years. | 3 |
fact | 3 |
out. | 3 |
audio. | 3 |
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fax | 3 |
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hit | 3 |
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decipher | 3 |
edit, | 3 |
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quick | 3 |
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>IBM | 3 |
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eventually | 3 |
carlc@synopsys.com | 3 |
area | 3 |
behind | 3 |
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following | 3 |
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too! | 3 |
interesting | 3 |
ESI-32 | 3 |
becomes | 3 |
help. | 3 |
ways | 3 |
interesting. | 3 |
ability | 3 |
snail | 3 |
Beherenger | 3 |
happening | 3 |
16-bit | 3 |
clear | 3 |
factory. | 3 |
product? | 3 |
sound? | 3 |
believe | 3 |
Boyd | 3 |
Software | 3 |
back. | 3 |
leave | 3 |
However | 3 |
remebered. | 3 |
download. | 3 |
Take | 3 |
symptom | 3 |
bit, | 3 |
simplicity | 3 |
Song | 3 |
T’s | 3 |
one. | 3 |
songs | 3 |
04 | 3 |
reasons | 3 |
taking | 3 |
fun | 3 |
chord. | 3 |
point. | 3 |
650 | 3 |
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Pounds | 3 |
Boss | 3 |
1MB | 3 |
Free | 3 |
away | 3 |
staded | 3 |
X-Orcl-Application: | 3 |
(Oct | 3 |
“MIDI | 3 |
Reverbs | 3 |
backwards | 3 |
and/or | 3 |
hours | 3 |
Bostock” | 3 |
“Sherwin | 3 |
etc.). | 3 |
happens | 3 |
provide | 3 |
BOSS | 3 |
turns | 3 |
thank | 3 |
1000 | 3 |
party | 3 |
third | 3 |
content | 3 |
interest | 3 |
twice. | 3 |
Sender: | 3 |
emails | 3 |
cross-studied | 3 |
users, | 3 |
Noise’s | 3 |
Place | 3 |
menu | 3 |
re-sent… | 3 |
absence. | 3 |
Manchester, | 3 |
instrument). | 3 |
>but | 3 |
first. | 3 |
Korg, | 3 |
problem, | 3 |
stores | 3 |
(1.44MB), | 3 |
UK. | 3 |
(Sound-on-sound) | 3 |
existed. | 3 |
expanded. | 3 |
(this | 3 |
everyone, | 3 |
Queen’s | 3 |
exist | 3 |
librarian? | 3 |
LOVE | 3 |
personal | 3 |
Zodak. | 3 |
user-friendly | 3 |
Dutchland | 3 |
“Another | 3 |
use/seen | 3 |
bites | 3 |
Krog | 3 |
till | 3 |
ordering | 3 |
Germany | 3 |
Because | 3 |
device’s | 3 |
samplers. | 3 |
Imagine | 3 |
dust”. | 3 |
week | 3 |
Akai’s | 3 |
Pro-Rec | 3 |
valid. | 3 |
!!!! | 3 |
selling | 3 |
PCM’s | 3 |
Sexton’s | 3 |
US$. | 3 |
earlier | 3 |
two word phrases repeated minimum three times
Phrase | Quantity |
---|---|
of the | 146 |
to the | 115 |
on the | 97 |
the M1 | 95 |
——- Date: | 94 |
Subject: Re: | 88 |
42 30 | 86 |
F0 42 | 86 |
in the | 76 |
30 19 | 69 |
Oct 1995 | 67 |
for the | 59 |
——- From: | 49 |
19 4E | 45 |
if you | 43 |
F7 F0 | 41 |
the same | 41 |
with the | 40 |
able to | 39 |
Feb 1996 | 38 |
you have | 38 |
Date: Thu, | 36 |
can be | 35 |
to get | 35 |
10 F7 | 35 |
you can | 34 |
Date: Fri, | 34 |
would be | 33 |
Subject: M1* | 32 |
If you | 32 |
Re: M1* | 32 |
Dec 1995 | 32 |
to be | 31 |
00 F7 | 30 |
Date: Wed, | 30 |
Korg M1 | 29 |
and the | 29 |
Date: Mon, | 28 |
to use | 27 |
------- Date: | 25 |
how to | 25 |
You can | 25 |
19 41 | 24 |
use the | 24 |
Date: Tue, | 24 |
from the | 24 |
Jan 1996 | 24 |
have the | 24 |
4E 02 | 23 |
the list | 23 |
M1 and | 23 |
this is | 22 |
be able | 22 |
way to | 22 |
one of | 21 |
will be | 21 |
the PC | 21 |
let me | 21 |
using the | 21 |
have an | 21 |
have to | 20 |
put the | 20 |
*********************************************************** noise | 19 |
Is there | 19 |
need to | 19 |
-0400 From: | 19 |
at the | 19 |
to me | 19 |
noise noise | 19 |
+0100 From: | 19 |
there is | 19 |
-0500 From: | 19 |
M1 is | 18 |
some of | 18 |
The M1 | 18 |
it to | 18 |
02 10 | 18 |
as the | 18 |
you want | 18 |
26 4E | 17 |
is it | 17 |
30 26 | 17 |
set to | 17 |
sounds for | 17 |
It is | 17 |
you need | 17 |
From: noise@io.org | 17 |
noise@io.org Subject: | 17 |
the M1. | 17 |
that the | 17 |
into the | 16 |
Dec 95 | 16 |
lot of | 16 |
the sounds | 16 |
is the | 16 |
do you | 16 |
to make | 16 |
Does anyone | 15 |
is not | 15 |
couple of | 15 |
to my | 15 |
you wrote: | 15 |
to do | 15 |
Oct 95 | 15 |
an M1 | 15 |
the M1′s | 15 |
of my | 15 |
just the | 15 |
Fri, Feb | 15 |
want to | 15 |
them to | 15 |
they are | 15 |
the sequencer | 15 |
and then | 14 |
vriendelijke groet | 14 |
seem to | 14 |
Date: Sun, | 14 |
get the | 14 |
groet With | 14 |
me know | 14 |
don’t have | 14 |
This is | 14 |
With kind | 14 |
-0400 Subject: | 14 |
M1 in | 14 |
can get | 14 |
internal: NL52932 | 14 |
NL52932 at | 14 |
at UITVM1 | 14 |
Date: Sat, | 14 |
M1* Invision | 14 |
kind regards, | 14 |
(Chris Smalt) | 14 |
Smalt) Subject: | 14 |
back to | 14 |
*********************************************************** ——- | 13 |
From: John | 13 |
to find | 13 |
time to | 13 |
have been | 13 |
you get | 13 |
set the | 13 |
PC sequencer | 13 |
to you | 13 |
the M1's | 13 |
go into | 13 |
about the | 13 |
which is | 13 |
to have | 13 |
+0200 From: | 13 |
with my | 13 |
the number | 13 |
-0800 From: | 13 |
EST From: | 13 |
the SAM1 | 13 |
know how | 13 |
------- From: | 13 |
might be | 13 |
seems to | 13 |
to send | 13 |
that you | 12 |
Mailing List | 12 |
is an | 12 |
M1 Mailing | 12 |
number of | 12 |
be very | 12 |
Subject: RE: | 12 |
4E 12 | 12 |
more than | 12 |
know if | 12 |
M1* Re: | 12 |
midi channel | 12 |
on my | 12 |
change) To | 12 |
of your | 12 |
all of | 12 |
01 F7 | 12 |
to play | 12 |
something like | 11 |
know of | 11 |
of you | 11 |
10 Jan | 11 |
Wed, 10 | 11 |
Subject: M1 | 11 |
@io.org http://www.io.org/~noise/ | 11 |
should be | 11 |
interested in | 11 |
have any | 11 |
to apply | 11 |
it was | 11 |
wondering if | 11 |
the key | 11 |
r_lohman@nl.ibm.com ——- | 11 |
was wondering | 11 |
Chris ——- | 11 |
mailing list | 11 |
you are | 11 |
From: smalt@nnet.nedernet.nl | 11 |
Internet: r_lohman@nl.ibm.com | 11 |
UITVM1 Internet: | 11 |
it just | 11 |
Met vriendelijke | 11 |
wanted to | 11 |
regards, Rein | 11 |
Rein Lohman | 11 |
IBM internal: | 11 |
Lohman IBM | 11 |
the MIDI | 11 |
smalt@nnet.nedernet.nl (Chris | 11 |
for each | 11 |
the battery | 11 |
can do | 11 |
programs and | 11 |
david.abramsky@oln.com Date: | 10 |
around the | 10 |
and have | 10 |
From: david.abramsky@oln.com | 10 |
jsexton@gate.net http://www.gate.net/~jsexton/index.htm | 10 |
Thu, 12 | 10 |
the M1, | 10 |
N jsexton@gate.net | 10 |
Posted in | 10 |
is that | 10 |
as well | 10 |
by noise | 10 |
Jan 96 | 10 |
the Korg | 10 |
don’t know | 10 |
and it | 10 |
change the | 10 |
think the | 10 |
————————————- ——- | 10 |
my M1 | 10 |
phone number | 10 |
like to | 10 |
sys-ex strings | 10 |
John Sexton | 10 |
Posted on | 10 |
10 | |
@io.org *********************************************************** | 10 |
all the | 10 |
if anyone | 10 |
I’ve been | 10 |
noise @io.org | 10 |
sample playback | 10 |
over the | 10 |
house/techno sounds | 10 |
for M1/T1; | 10 |
Jacek Latanowicz | 10 |
SAM-1 sample | 10 |
M1/T1; SAM-1 | 10 |
NEW, HELPING | 10 |
Sexton | 10 |
11 Jan | 10 |
12 Oct | 10 |
00 10 | 10 |
the sound | 10 |
There is | 10 |
4E 10 | 10 |
4E 00 | 10 |
It seems | 9 |
to save | 9 |
should have | 9 |
kind of | 9 |
out the | 9 |
Double Dutch | 9 |
has been | 9 |
looking for | 9 |
(+program change) | 9 |
had to | 9 |
you could | 9 |
expansion board | 9 |
F7 (+program | 9 |
for some | 9 |
board for | 9 |
tell me | 9 |
of this | 9 |
noise @io.org | 9 |
recall an | 9 |
anyone know | 9 |
so can | 9 |
it in | 9 |
willing to | 9 |
http://www.io.org/~noise/ *********************************************************** | 9 |
for Korg | 9 |
I'M NEW, | 9 |
that can | 9 |
an INTERNAL | 9 |
over MIDI | 9 |
To recall | 9 |
would appreciate | 9 |
Thu, Oct | 9 |
anyone have | 9 |
Thu, 11 | 9 |
and play | 9 |
that is | 9 |
Fri, 12 | 9 |
12 Dec | 9 |
come up | 9 |
Tue, 12 | 9 |
the keyboard | 9 |
may be | 9 |
12 Jan | 9 |
it would | 9 |
call up | 9 |
amount of | 9 |
can send | 9 |
Sat, Oct | 9 |
part of | 9 |
in my | 9 |
M1* house/techno | 8 |
the right | 8 |
make the | 8 |
back and | 8 |
but it | 8 |
to your | 8 |
your M1 | 8 |
“R. Lohman” | 8 |
changes over | 8 |
Lohman” | 8 |
From: “R. | 8 |
8 | |
along with | 8 |
mailing list. | 8 |
To call | 8 |
go to | 8 |
out of | 8 |
M1 to | 8 |
you do | 8 |
that with | 8 |
on February | 8 |
any of | 8 |
Thanks in | 8 |
that it | 8 |
get to | 8 |
the Invision | 8 |
Combi parameter | 8 |
parameter changes | 8 |
mode and | 8 |
work with | 8 |
to load | 8 |
there way | 8 |
the article | 8 |
play the | 8 |
that this | 8 |
playback quality | 8 |
program change) | 8 |
Michele Tornatore | 8 |
if they | 8 |
39 – | 8 |
F7 (+ | 8 |
(+ program | 8 |
respond to | 8 |
2008 by | 8 |
are the | 8 |
you should | 8 |
out there | 8 |
techno sounds | 8 |
do not | 8 |
try to | 8 |
since the | 8 |
send it | 8 |
All the | 8 |
long as | 8 |
Hope this | 8 |
the M1. | 8 |
been able | 8 |
on this | 8 |
HELPING FRIEND | 8 |
that have | 8 |
get around | 8 |
the Midi | 8 |
as long | 8 |
My M1 | 7 |
noticed that | 7 |
If anybody | 7 |
while the | 7 |
have noticed | 7 |
that combination | 7 |
version of | 7 |
3, 2008 | 7 |
info on | 7 |
trntrm01@cidoc.iuav.unive.it (Michele | 7 |
(Michele Tornatore) | 7 |
et quasi | 7 |
with your | 7 |
From: trntrm01@cidoc.iuav.unive.it | 7 |
February 3, | 7 |
Thanks for | 7 |
Re: M1- | 7 |
to all | 7 |
different notes | 7 |
can only | 7 |
M1 for | 7 |
VDF cutoff | 7 |
the file | 7 |
Mestre (Venezia) | 7 |
30172 Mestre | 7 |
7/B 30172 | 7 |
Aleardi, 7/B | 7 |
(Venezia) ITALY | 7 |
ITALY Tel. | 7 |
humanitatem pertinent | 7 |
you know | 7 |
the original | 7 |
pertinent habent | 7 |
habent quoddam | 7 |
A. Aleardi, | 7 |
Via A. | 7 |
inter se | 7 |
find out | 7 |
quadam inter | 7 |
cognatione quadam | 7 |
quasi cognatione | 7 |
(CICERONE, Pro | 7 |
Pro Archia, | 7 |
quoddam commune | 7 |
commune vinculum, | 7 |
I, 2) | 7 |
Archia, I, | 7 |
but if | 7 |
ad humanitatem | 7 |
for my | 7 |
M1* SAM1 | 7 |
sounds that | 7 |
patches in | 7 |
is there | 7 |
PCM slot | 7 |
-- -- | 7 |
Re: M1 | 7 |
and I’ll | 7 |
off of | 7 |
of any | 7 |
it with | 7 |
the demo | 7 |
12 00 | 7 |
the PCM | 7 |
up with | 7 |
artes quae | 7 |
quae ad | 7 |
trying to | 7 |
M1 into | 7 |
been using | 7 |
-- F7 | 7 |
In the | 7 |
up on | 7 |
the files | 7 |
41 0F | 7 |
well as | 7 |
sounds I’ve | 7 |
I’ve heard | 7 |
M1* KORG | 7 |
and if | 7 |
and new | 7 |
else on | 7 |
R. Lohman | 7 |
to put | 7 |
– 1996 | 7 |
List – | 7 |
1996 and | 7 |
and Beyond | 7 |
the net | 7 |
the power | 7 |
the bank | 7 |
problem is | 7 |
03 10 | 7 |
if it | 7 |
4E 03 | 7 |
than the | 7 |
similar to | 7 |
>I have | 7 |
the phone | 7 |
the web | 7 |
whole new | 7 |
between the | 7 |
do it | 7 |
Mon, Oct | 7 |
patches that | 7 |
the company | 7 |
me to | 7 |
number to | 7 |
Shoaib Anwar | 7 |
from your | 7 |
and set | 7 |
patches for | 7 |
but have | 7 |
on to | 7 |
It would | 7 |
my computer | 7 |
in your | 7 |
to try | 7 |
the patch | 7 |
when you | 7 |
have not | 7 |
they were | 7 |
sounds are | 7 |
M1- The | 7 |
the two | 7 |
the new | 6 |
From: ChickenSax@aol.com | 6 |
SAM1 – | 6 |
this product. | 6 |
– PCM | 6 |
followed by | 6 |
by program | 6 |
slot expansion | 6 |
I’d like | 6 |
as well. | 6 |
it. The | 6 |
program change. | 6 |
is no | 6 |
any more. | 6 |
this list | 6 |
the big | 6 |
has anyone | 6 |
the group | 6 |
there any | 6 |
the list. | 6 |
out to | 6 |
any experience | 6 |
SAM1 expansion | 6 |
ChickenSax@aol.com Date: | 6 |
-0500 Subject: | 6 |
in Korg | 6 |
AND GENERAL | 6 |
Tel. 39 | 6 |
6 | |
Anwar | 6 |
seems that | 6 |
can find | 6 |
the first | 6 |
not sure | 6 |
in some | 6 |
is probably | 6 |
only use | 6 |
From: Shoaib | 6 |
during this | 6 |
-0500 (EST) | 6 |
to share | 6 |
vinculum, et | 6 |
notes at | 6 |
sequencer of | 6 |
2) Michele | 6 |
or something | 6 |
Is it | 6 |
41- 958747 | 6 |
to set | 6 |
M1 AND | 6 |
10 00 | 6 |
of digest | 6 |
that all | 6 |
are not | 6 |
the KORG | 6 |
set of | 6 |
at my | 6 |
get them | 6 |
my KORG | 6 |
was just | 6 |
Club Midi | 6 |
to work | 6 |
web page | 6 |
get my | 6 |
Cheers Michele | 6 |
GENERAL MIDI | 6 |
any way | 6 |
on your | 6 |
MIDI interface | 6 |
It’s one | 6 |
I’ve never | 6 |
the other | 6 |
that don’t | 6 |
The only | 6 |
of an | 6 |
channel 1. | 6 |
forgets … | 6 |
M1 forgets | 6 |
up the | 6 |
the system | 6 |
for any | 6 |
as opposed | 6 |
set up | 6 |
vs. 128 | 6 |
opposed to | 6 |
has the | 6 |
me know. | 6 |
me the | 6 |
… is | 6 |
the battery? | 6 |
There are | 6 |
all those | 6 |
the sequencer, | 6 |
do with | 6 |
to see | 6 |
on how | 6 |
and send | 6 |
to give | 6 |
which can | 6 |
memory which | 6 |
Tornatore) Subject: | 6 |
if anybody | 6 |
house and | 6 |
due to | 6 |
off the | 6 |
The device | 6 |
makes it | 6 |
and techno | 6 |
and saved | 6 |
M1 can | 6 |
M3, Wavestation | 6 |
will make | 6 |
at least | 6 |
the front | 6 |
sound from | 6 |
through the | 6 |
and has | 6 |
device is | 6 |
think that | 6 |
compatible with | 6 |
have seen | 6 |
for M1, | 6 |
the 100 | 6 |
M1, M3, | 6 |
can tell | 5 |
the list, | 5 |
same time, | 5 |
not an | 5 |
my Mac | 5 |
you will | 5 |
your sequencer | 5 |
the messages | 5 |
in sequencer | 5 |
you to | 5 |
I’m not | 5 |
Re: Club | 5 |
that when | 5 |
sys-ex string: | 5 |
my PC | 5 |
to know | 5 |
——- ——- | 5 |
to this | 5 |
the message | 5 |
sounds from | 5 |
——————————————– N | 5 |
http://www.gate.net/~jsexton/index.htm ————————————- | 5 |
PROGRAM: F0 | 5 |
kinds of | 5 |
EST Subject: | 5 |
http://www.gate.net/~jsexton/index.htm ——————————————– | 5 |
——————————————– ——- | 5 |
have MIDI | 5 |
is one | 5 |
that there | 5 |
this sys-ex | 5 |
bank select | 5 |
it from | 5 |
to respond | 5 |
can play | 5 |
string: F0 | 5 |
F7 followed | 5 |
Do you | 5 |
to change | 5 |
the program | 5 |
If anyone | 5 |
sequencer mode. | 5 |
not only | 5 |
10 01 | 5 |
12 01 | 5 |
you can’t | 5 |
up to | 5 |
the channels | 5 |
Korg M1, | 5 |
is very | 5 |
The Korg | 5 |
it back | 5 |
and T3 | 5 |
like the | 5 |
so would | 5 |
that are | 5 |
and was | 5 |
Fri, Oct | 5 |
Let me | 5 |
it will | 5 |
play different | 5 |
the AWE32 | 5 |
korg-m1-l@io.org Subject: | 5 |
on midi | 5 |
need this | 5 |
Here is | 5 |
Midi Magazine | 5 |
To select | 5 |
have posted | 5 |
in COMBI | 5 |
M1 mailing | 5 |
start of | 5 |
5 | |
the best | 5 |
the channel | 5 |
list – | 5 |
from my | 5 |
is to | 5 |
that contains | 5 |
email me | 5 |
about this | 5 |
instead of | 5 |
in Galaxy | 5 |
not as | 5 |
the start | 5 |
of patches | 5 |
Happy New | 5 |
have used | 5 |
sequencer plays | 5 |
live while | 5 |
Performing live | 5 |
read the | 5 |
from an | 5 |
the most | 5 |
has an | 5 |
chip upgrade | 5 |
changed the | 5 |
december 1995 | 5 |
me that | 5 |
it still | 5 |
Right now | 5 |
my M1. | 5 |
How do | 5 |
had my | 5 |
really want | 5 |
not for | 5 |
little more | 5 |
M1 frustrations | 5 |
also has | 5 |
the programs | 5 |
don’t think | 5 |
——- From: | 5 |
— ——- | 5 |
13 Dec | 5 |
the drum | 5 |
Has anyone | 5 |
demo CD | 5 |
of shareware | 5 |
KORG SAM1 | 5 |
text file | 5 |
it down | 5 |
by the | 5 |
is interested | 5 |
in this | 5 |
share the | 5 |
the mailing | 5 |
help me | 5 |
is small | 5 |
anyone else | 5 |
to start | 5 |
M1's Combination | 5 |
the device. | 5 |
It will | 5 |
M1 with | 5 |
it does | 5 |
the best | 5 |
for me. | 5 |
but the | 5 |
or one | 5 |
M1 patches | 5 |
an old | 5 |
searching for | 5 |
bank or | 5 |
disk drive | 5 |
Thu, Feb | 5 |
free copy | 5 |
here's the | 5 |
that would | 5 |
article about | 5 |
combination mode, | 5 |
use with | 5 |
this list. | 5 |
Mail Item | 5 |
the effects | 5 |
In your | 5 |
Item Text | 5 |
than one | 5 |
Text Follows | 5 |
List Archives | 5 |
of course | 5 |
can use | 5 |
the last | 5 |
for those | 5 |
use Combi | 5 |
If so | 5 |
had the | 5 |
them and | 5 |
is still | 5 |
if the | 5 |
the Sequencer | 5 |
very much | 5 |
To: korg-m1-l@io.org | 5 |
10 Feb | 5 |
and I’ve | 5 |
and still | 5 |
send me | 5 |
Sat, 10 | 5 |
pretty good, | 5 |
message to | 5 |
how can | 5 |
what the | 5 |
From: NATEGOULET@ids.net | 5 |
return to | 5 |
NATEGOULET@ids.net Date: | 5 |
effect to | 5 |
and you | 5 |
M1 Software??? | 5 |
the joystick | 5 |
Amiga Korg | 5 |
it is | 5 |
-0800 Subject: | 5 |
David ------- | 5 |
with you | 5 |
them with | 5 |
sequencer and | 5 |
Tue, 10 | 5 |
10 Oct | 5 |
share with | 5 |
who are | 5 |
where you | 5 |
me if | 5 |
was not | 5 |
Mon, Feb | 5 |
channel for | 5 |
anyone checked | 4 |
08 21 | 4 |
without using | 4 |
basically makes | 4 |
(Steve Schow) | 4 |
it whole | 4 |
know what | 4 |
it was. | 4 |
the VDF | 4 |
VDF MG | 4 |
still have | 4 |
Welcome back | 4 |
list also | 4 |
RAM card | 4 |
4 | |
0E 08 | 4 |
that basically | 4 |
4 | |
COMBINATION: F0 | 4 |
B? Mega | 4 |
Mega cool! | 4 |
41 0E | 4 |
same time | 4 |
or B? | 4 |
Nick Mattison | 4 |
an CARD | 4 |
would like | 4 |
is set | 4 |
Mattison | 4 |
cool! It’s | 4 |
bass sounds | 4 |
the | 4 |
the RAM | 4 |
BEST bass | 4 |
does it | 4 |
time without | 4 |
From: Nick | 4 |
the BEST | 4 |
heard yet. | 4 |
and FX2 | 4 |
and 100 | 4 |
is little | 4 |
On Fri, | 4 |
for just | 4 |
list. have | 4 |
Track 1 | 4 |
you change | 4 |
M1 that | 4 |
1 Chnl | 4 |
you come | 4 |
that has | 4 |
Henry Mays | 4 |
memory in | 4 |
Wed, 13 | 4 |
only in | 4 |
an extra | 4 |
been upgraded | 4 |
save it | 4 |
signed up | 4 |
do is | 4 |
Chnl 1 | 4 |
or leads | 4 |
you and | 4 |
LARGE ROOM | 4 |
PC Sequencer | 4 |
found it | 4 |
them from | 4 |
PROGRAM) FX1 | 4 |
or more | 4 |
up with? | 4 |
with? Wanna | 4 |
Track 2 | 4 |
lots of | 4 |
1 Prgm | 4 |
as well, | 4 |
Wanna share? | 4 |
on and | 4 |
Chnl 2 | 4 |
2 Chnl | 4 |
new programs | 4 |
is rather | 4 |
the Progs | 4 |
just signed | 4 |
different tracks | 4 |
still get | 4 |
to come | 4 |
and will | 4 |
program with | 4 |
we’ll see | 4 |
example we’ll | 4 |
to midi | 4 |
Re: My | 4 |
SEQUENCER mode | 4 |
upgrade and | 4 |
21 00 | 4 |
41 10 | 4 |
some patches | 4 |
and put | 4 |
10 08 | 4 |
Combis of | 4 |
with FX1 | 4 |
FX1 set | 4 |
what kinds | 4 |
so, what | 4 |
Invision chip | 4 |
different midi | 4 |
of cool | 4 |
cool new | 4 |
and series | 4 |
Cakewalk Pro | 4 |
to everyone | 4 |
the recording | 4 |
the latest | 4 |
the series | 4 |
Steve Schow | 4 |
back more | 4 |
The Invision | 4 |
FX2 set | 4 |
upgrade that | 4 |
if so, | 4 |
Invision upgrade | 4 |
4 | |
M3R user | 4 |
the device | 4 |
using my | 4 |
it’s easy. | 4 |
ESI-32) it’s | 4 |
other gear | 4 |
gear (like | 4 |
(like ESI-32) | 4 |
make them | 4 |
someone else | 4 |
to Korg | 4 |
Wed, 18 | 4 |
18 Oct | 4 |
those who | 4 |
e-mail address | 4 |
be little | 4 |
on creating | 4 |
Re: M3R | 4 |
via the | 4 |
have control | 4 |
control over | 4 |
and they | 4 |
02 Oct | 4 |
Mon, 02 | 4 |
if someone | 4 |
and am | 4 |
is quite | 4 |
and pan | 4 |
pan via | 4 |
it possible | 4 |
possible at | 4 |
at all? | 4 |
mode? Is | 4 |
COMBI mode? | 4 |
via MIDI, | 4 |
for another | 4 |
Wed, 20 | 4 |
by saying... | 4 |
From: morritt@passport.ca | 4 |
shareware utility | 4 |
me in | 4 |
morritt@passport.ca Date: | 4 |
utility that | 4 |
types of | 4 |
read and | 4 |
20 Dec | 4 |
is produced | 4 |
this thing | 4 |
is about | 4 |
picture of | 4 |
this mailing | 4 |
The file | 4 |
interface, and | 4 |
buy this | 4 |
I’m willing | 4 |
and write | 4 |
write T1 | 4 |
MIDI sample | 4 |
slooooow MIDI | 4 |
could be | 4 |
sample dump) | 4 |
dump) and | 4 |
be of | 4 |
setup in | 4 |
How about | 4 |
Backwards sample | 4 |
the slooooow | 4 |
David ——- | 4 |
(so that | 4 |
disks (so | 4 |
– David | 4 |
-0500, you | 4 |
piano sample | 4 |
effects to | 4 |
of good | 4 |
discontinued making | 4 |
to >the | 4 |
sys-ex string | 4 |
let you | 4 |
Of course | 4 |
I’ve got | 4 |
so that | 4 |
I’m sorry | 4 |
M1* M1 | 4 |
more about | 4 |
——- N | 4 |
the way | 4 |
to you. | 4 |
switch on | 4 |
just wanted | 4 |
notes and | 4 |
you all | 4 |
list and | 4 |
anyone out | 4 |
M1 info | 4 |
zip file | 4 |
file that | 4 |
contains .syx | 4 |
uuencoded zip | 4 |
is uuencoded | 4 |
that am | 4 |
for your | 4 |
in advance | 4 |
.syx and | 4 |
new midimap.cfg. | 4 |
the midimapper | 4 |
midimapper how | 4 |
100 vs. | 4 |
that they | 4 |
tells the | 4 |
The midimap.cfg | 4 |
midimap.cfg tells | 4 |
with other | 4 |
from you | 4 |
make it | 4 |
to read | 4 |
all my | 4 |
PROGRAM F0 | 4 |
up an | 4 |
SAM1 is | 4 |
my internal | 4 |
midi interface | 4 |
and other | 4 |
up CARD | 4 |
to buy | 4 |
Chris ------- | 4 |
another one | 4 |
your case, | 4 |
hoping that | 4 |
be great | 4 |
have >to | 4 |
T1, T2, | 4 |
T2, T3, | 4 |
PDT From: | 4 |
It takes | 4 |
inside the | 4 |
into my | 4 |
From: "BettenLN" | 4 |
is why | 4 |
one and | 4 |
"BettenLN" | 4 |
real time | 4 |
hooked up | 4 |
to M1 | 4 |
have only | 4 |
T3, Wavestation | 4 |
got the | 4 |
port on | 4 |
and another | 4 |
in advance. | 4 |
anybody is | 4 |
the article. | 4 |
in one | 4 |
have selected | 4 |
selected the | 4 |
where in | 4 |
combination where | 4 |
be set | 4 |
have particular | 4 |
particular combination | 4 |
patch I24, | 4 |
I24, and | 4 |
Is this | 4 |
recalled, I24 | 4 |
I24 is | 4 |
when that | 4 |
time, have | 4 |
saved the | 4 |
Over time, | 4 |
can acces | 4 |
program of | 4 |
– 41 | 4 |
Snail: Via | 4 |
trntrm01@cidoc.iuav.unive.it Snail: | 4 |
41 – | 4 |
– 988074 | 4 |
– 41- | 4 |
Fax 39 | 4 |
988074 Fax | 4 |
e-mail: trntrm01@cidoc.iuav.unive.it | 4 |
Tornatore e-mail: | 4 |
tell you | 4 |
experience with | 4 |
PST Hi | 4 |
to tell | 4 |
“Omnes artes | 4 |
continentur.” (CICERONE, | 4 |
se continentur.” | 4 |
is changed | 4 |
changed to | 4 |
failure be | 4 |
be random | 4 |
random occurence? | 4 |
battery failure | 4 |
wouldn’t the | 4 |
to I13 | 4 |
I13 – | 4 |
– wouldn’t | 4 |
else see | 4 |
see something | 4 |
battery aging? | 4 |
sure if | 4 |
tracks and | 4 |
still just | 4 |
Or is | 4 |
like this? | 4 |
this? Or | 4 |
I24 to | 4 |
from I24 | 4 |
process, should | 4 |
the correctly | 4 |
sort of | 4 |
this process, | 4 |
on during | 4 |
set on | 4 |
power was | 4 |
was on | 4 |
correctly saved | 4 |
saved combination | 4 |
it ALWAYS | 4 |
ALWAYS changes | 4 |
changes from | 4 |
Also, it | 4 |
right? Also, | 4 |
combination – | 4 |
– right? | 4 |
958747 ——- | 4 |
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PCMs probably | 4 |
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into PCM | 4 |
plugged into | 4 |
is plugged | 4 |
(old PCMs | 4 |
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an expansion | 4 |
SAM1. It | 4 |
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start (1989) | 4 |
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M3r, Wavestation | 4 |
M1r, M3r, | 4 |
PCM card | 4 |
card slot, | 4 |
was looking | 4 |
valuable for | 4 |
very valuable | 4 |
It has | 4 |
samples in | 4 |
used by | 4 |
and used | 4 |
seen and | 4 |
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From: Jacek | 4 |
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in any | 4 |
this device | 4 |
least to | 4 |
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CET From: | 4 |
now. Does | 4 |
called Double | 4 |
is called | 4 |
sjs@corp.portal.com (Steve | 4 |
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“Holger Wirtz” | 4 |
like that | 4 |
wah envelope? | 4 |
loss, i.e. | 4 |
i.e. just | 4 |
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Lohman Subject: | 4 |
The best | 4 |
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any volume | 4 |
my T1 | 4 |
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What is | 4 |
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Third, is | 4 |
apply large | 4 |
joystick without | 4 |
without experiencing | 4 |
experiencing any | 4 |
envelope to | 4 |
cutoff envelope | 4 |
large VDF | 4 |
tried to | 4 |
pretty good | 4 |
INTERNAL PROGRAM | 4 |
know where | 4 |
there are | 4 |
front panel | 4 |
possible to | 4 |
for me | 4 |
Korg and | 4 |
the Global | 4 |
the problem | 4 |
I'm not | 4 |
know that | 4 |
the patches | 4 |
good, but | 4 |
last few | 4 |
John Flowers | 4 |
I’ll post | 4 |
find the | 4 |
the world | 4 |
not to | 4 |
*********************************************************** ------- | 4 |
currently using | 4 |
the great | 4 |
Korg T-series | 4 |
files are | 4 |
11 Dec | 4 |
used the | 4 |
up and | 4 |
the names | 4 |
send the | 4 |
Play Now | 4 |
on or | 4 |
don't know | 4 |
in Popup | 4 |
Play in | 4 |
Now Play | 4 |
21 Dec | 4 |
Thu, 21 | 4 |
hard to | 4 |
play back | 4 |
Mon, 11 | 4 |
but this | 4 |
dont know | 4 |
and others | 4 |
names and | 4 |
you mean | 4 |
the synth | 4 |
of PC | 4 |
produced by | 4 |
Re: Amiga | 4 |
it might | 4 |
who has | 4 |
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MIDI channel | 4 |
use an | 4 |
RECORDING TRACK | 4 |
when they | 4 |
happened to | 4 |
to seperate | 4 |
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someone can | 4 |
have couple | 4 |
that sound | 4 |
sound very | 4 |
very similar | 4 |
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that as | 4 |
Peter ——- | 4 |
OSC balance | 4 |
PC and | 4 |
Re: I'M | 4 |
voices for | 4 |
used to | 4 |
KORG T3 | 4 |
up some | 4 |
sound card/MPU | 4 |
PC sound | 4 |
and all | 4 |
on channel | 4 |
the card | 4 |
original M1 | 4 |
all this | 4 |
card/MPU 401 | 4 |
401 card | 4 |
you may | 4 |
card go | 4 |
soon as | 4 |
the full | 4 |
John Paul | 4 |
Paul Flowers | 4 |
voice on | 4 |
Flowers | 4 |
sample disks | 4 |
Popup Download | 4 |
have just | 4 |
they can | 4 |
Re: Performing | 4 |
Tue, Oct | 4 |
sent to | 4 |
it can | 4 |
of them | 4 |
bit of | 4 |
934 encapsulation) | 4 |
(RFC 934 | 4 |
encapsulation) ——- | 4 |
play along | 4 |
Any help | 4 |
format and | 4 |
the internet, | 4 |
#2 to | 4 |
M1 from | 4 |
to download | 4 |
channel to | 4 |
with PC | 4 |
you might | 4 |
side of | 4 |
Here are | 4 |
——- start | 4 |
Sequencer Mode | 4 |
time, you | 4 |
back in | 4 |
I've been | 4 |
can buy | 4 |
the retention | 4 |
M1 list | 4 |
for use | 4 |
help on | 4 |
Combination Mode | 4 |
since you | 4 |
noise ——- | 4 |
you fellow | 4 |
can also | 4 |
how do | 4 |
bank of | 4 |
and combinations | 4 |
down to | 4 |
messages) (RFC | 4 |
on using | 4 |
7F = | 4 |
the music | 4 |
Archives The | 3 |
Flowers johnf@scd.hp.com | 3 |
UK Pounds | 3 |
is 650 | 3 |
92) is | 3 |
thing. The | 3 |
sample play | 3 |
650 UK | 3 |
about 1000 | 3 |
Pounds which | 3 |
The price | 3 |
1000 US$. | 3 |
price staded | 3 |
Also, when | 3 |
it on | 3 |
do get | 3 |
Hi everyone! | 3 |
(Oct 92) | 3 |
there (Oct | 3 |
staded there | 3 |
T1 sample | 3 |
After all, | 3 |
T3 with | 3 |
the little | 3 |
stuck notes | 3 |
M1′s piano | 3 |
product. The | 3 |
can scan | 3 |
interested can | 3 |
We can | 3 |
the dust”. | 3 |
scan it | 3 |
CAN (I | 3 |
file and | 3 |
into text | 3 |
down into | 3 |
(I think) | 3 |
bites the | 3 |
details in | 3 |
many details | 3 |
are many | 3 |
think) put | 3 |
stuff that | 3 |
tell how | 3 |
article. If | 3 |
one bites | 3 |
send over | 3 |
dust”. It | 3 |
piano chord. | 3 |
made by | 3 |
isn’t made | 3 |
by Korg, | 3 |
Korg, it’s | 3 |
party thing. | 3 |
third party | 3 |
it’s third | 3 |
device isn’t | 3 |
US$. The | 3 |
list. There | 3 |
get it | 3 |
over this | 3 |
It features | 3 |
is even | 3 |
/| We | 3 |
first time | 3 |
even picture | 3 |
chord. Is | 3 |
and Akai’s | 3 |
which was | 3 |
the mentioned | 3 |
company which | 3 |
valid. think | 3 |
was selling | 3 |
* Precision | 3 |
Dutchland by | 3 |
in UK | 3 |
Precision Motion | 3 |
selling it | 3 |
isn’t valid. | 3 |
mentioned Double | 3 |
The phone | 3 |
problem. The | 3 |
small problem. | 3 |
in COMBINATION | 3 |
Control R&D | 3 |
Motion Control | 3 |
there isn’t | 3 |
written there | 3 |
company written | 3 |
Dutch company | 3 |
UK doesn’t | 3 |
doesn’t exist | 3 |
device 2. | 3 |
use/seen this | 3 |
anybody use/seen | 3 |
produced either | 3 |
2. Where | 3 |
Where in | 3 |
what is | 3 |
thing ???? | 3 |
It probably | 3 |
probably is | 3 |
Did anybody | 3 |
either in | 3 |
Here come | 3 |
anymore. Here | 3 |
or Dutchland | 3 |
exist anymore. | 3 |
come my | 3 |
my questions. | 3 |
in Germany | 3 |
Germany or | 3 |
1. Did | 3 |
questions. 1. | 3 |
not available | 3 |
company and | 3 |
M1, it’s | 3 |
my M1, | 3 |
LOVE my | 3 |
reaching this | 3 |
it’s user-friendly | 3 |
user-friendly interface, | 3 |
helpful for | 3 |
johnf@scd.hp.com _|/_______________________ | 3 |
in reaching | 3 |
R&D /| | 3 |
Because LOVE | 3 |
samplers. Because | 3 |
Thanks, Jacek | 3 |
same as | 3 |
formats are | 3 |
file formats | 3 |
as for | 3 |
product. Thanks, | 3 |
Akai’s samplers. | 3 |
world can | 3 |
Roland’s and | 3 |
for Roland’s | 3 |
very helpful | 3 |
and digital | 3 |
Imagine using | 3 |
M1. Imagine | 3 |
Any information | 3 |
from M1. | 3 |
using own | 3 |
Zodak. Any | 3 |
But there | 3 |
and Zodak. | 3 |
PCM’s !!!! | 3 |
own PCM’s | 3 |
sampler from | 3 |
information will | 3 |
to pay | 3 |
_|/_______________________ * | 3 |
effects I’m | 3 |
digital effects | 3 |
pay to | 3 |
is just | 3 |
make sampler | 3 |
probably make | 3 |
would probably | 3 |
device. It | 3 |
BOSS SE-50 | 3 |
you'll only | 3 |
Serge. ——- | 3 |
my patch | 3 |
From: Peter | 3 |
24 Hrs | 3 |
is working | 3 |
>Is this | 3 |
more info | 3 |
here is | 3 |
John Sexton’s | 3 |
ftp site | 3 |
Help 24 | 3 |
any other | 3 |
3 | |
r_lohman@nl.ibm.com Subject: | 3 |
From: r_lohman@nl.ibm.com | 3 |
where to | 3 |
to go | 3 |
anyone has | 3 |
02 Feb | 3 |
Fri, 02 | 3 |
me and | 3 |
the normal | 3 |
paul | 3 |
From: paul | 3 |
Edit One | 3 |
On-Line Help | 3 |
are! * | 3 |
you are! | 3 |
make sure | 3 |
sure you | 3 |
Some sequencers | 3 |
to any | 3 |
gone you | 3 |
one track. | 3 |
Clara Division | 3 |
Division far | 3 |
far gone | 3 |
be interested | 3 |
your computer | 3 |
The MIDI | 3 |
they did | 3 |
Life On-Line | 3 |
until you | 3 |
anybody know | 3 |
Real Life | 3 |
the transfer | 3 |
* http://www.homeless.com/homepages/johnf@scd.hp.com.html | 3 |
if there | 3 |
http://www.homeless.com/homepages/johnf@scd.hp.com.html *************************************************************************** | 3 |
*************************************************************************** Real | 3 |
sorry for | 3 |
please tell | 3 |
M.U.G.(MIDI Users | 3 |
Users Group)? | 3 |
from M.U.G.(MIDI | 3 |
Program/Combis from | 3 |
the Program/Combis | 3 |
cost sure | 3 |
sure seems | 3 |
spare time | 3 |
time trying | 3 |
the !#@$#$ | 3 |
seems resonable. | 3 |
that works | 3 |
works with | 3 |
distorted guitar | 3 |
before the | 3 |
to run. | 3 |
run. And | 3 |
And to | 3 |
can’t control | 3 |
M.U.G. n’ | 3 |
tried any | 3 |
anyone tried | 3 |
know this | 3 |
n’ stuff | 3 |
my spare | 3 |
spend all | 3 |
this one | 3 |
cards are | 3 |
all on | 3 |
the SAM-1 | 3 |
SAM-1 sampling | 3 |
getting back | 3 |
not getting | 3 |
me how | 3 |
for not | 3 |
order to | 3 |
in order | 3 |
sampling device; | 3 |
got really | 3 |
limited to | 3 |
I’m looking | 3 |
umpteenth time | 3 |
I’m new | 3 |
crash and | 3 |
the umpteenth | 3 |
insisted for | 3 |
really hectic | 3 |
hectic when | 3 |
when my | 3 |
computer insisted | 3 |
must use | 3 |
playing different | 3 |
“Another one | 3 |
just knowing | 3 |
device was | 3 |
about device | 3 |
only be | 3 |
knowing it | 3 |
it existed. | 3 |
Wavestation SR). | 3 |
for Wavestation | 3 |
BUT), you'll | 3 |
know about | 3 |
an article | 3 |
be playing | 3 |
magazine (Sound-on-sound) | 3 |
(Sound-on-sound) which | 3 |
SOS magazine | 3 |
old SOS | 3 |
From: sjs@corp.portal.com | 3 |
which happened | 3 |
one set | 3 |
me. There | 3 |
playing one | 3 |
to copy | 3 |
* Hewlett | 3 |
slot, has | 3 |
has memory | 3 |
how * | 3 |
be seen | 3 |
it’s memory | 3 |
in it’s | 3 |
stores samples | 3 |
COMBINATION mode | 3 |
by M1 | 3 |
mentioned instrument). | 3 |
other mentioned | 3 |
(or other | 3 |
M1 (or | 3 |
and stores | 3 |
reads and | 3 |
be expanded. | 3 |
expanded. It | 3 |
probably can | 3 |
which probably | 3 |
big BUT), | 3 |
that was | 3 |
has HD | 3 |
(1.44MB), reads | 3 |
drive (1.44MB), | 3 |
(and here's | 3 |
HD disk | 3 |
there an | 3 |
found there | 3 |
40% memory | 3 |
about 40% | 3 |
sequencer, it | 3 |
it starts | 3 |
mess up | 3 |
include some | 3 |
want different | 3 |
Sorry if | 3 |
when reach | 3 |
Santa Clara | 3 |
reach about | 3 |
up slightly | 3 |
slightly on | 3 |
normal M1 | 3 |
M1 Organ | 3 |
you email | 3 |
an M1-EX | 3 |
can’t seem | 3 |
are sounds | 3 |
used are | 3 |
on playback | 3 |
playback if | 3 |
sounds have | 3 |
different instruments | 3 |
anybody gets | 3 |
gets it | 3 |
to post | 3 |
decided to | 3 |
weeks due | 3 |
few weeks | 3 |
for last | 3 |
my absence. | 3 |
absence. have | 3 |
UK. found | 3 |
Manchester, UK. | 3 |
in Manchester, | 3 |
been in | 3 |
emails for | 3 |
of emails | 3 |
is re-sent… | 3 |
re-sent… Hello | 3 |
Packard Santa | 3 |
twice. This | 3 |
it twice. | 3 |
Hello Krog | 3 |
Krog users, | 3 |
huge amount | 3 |
the huge | 3 |
cross-studied the | 3 |
haven’t cross-studied | 3 |
instrument). There | 3 |
Is anyone | 3 |
Hammond organ | 3 |
be possible | 3 |
On the | 3 |
the the | 3 |
channels to | 3 |
the old | 3 |
music store | 3 |
particularly for | 3 |
on Mac | 3 |
may help | 3 |
MasterTrax pro | 3 |
pro librarian? | 3 |
right sys-ex | 3 |
M1, and | 3 |
split the | 3 |
You could | 3 |
is good | 3 |
you’ve just | 3 |
can see | 3 |
RE: M1* | 3 |
so it | 3 |
“Edit prog” | 3 |
prog” and | 3 |
deal with | 3 |
card with | 3 |
(it is | 3 |
interpretable on | 3 |
and interpretable | 3 |
not be | 3 |
Korg or | 3 |
to decipher | 3 |
decipher them. | 3 |
them. Some | 3 |
to not | 3 |
Mac seems | 3 |
download. have | 3 |
for download. | 3 |
software at | 3 |
it up | 3 |
is really | 3 |
Some of | 3 |
but want | 3 |
this may | 3 |
hope this | 3 |
these uncompressed | 3 |
it works | 3 |
uncompressed and | 3 |
compressed). Does | 3 |
(unix compressed). | 3 |
compressed) and | 3 |
know more. | 3 |
others are | 3 |
are .tar | 3 |
.tar (unix | 3 |
KORG to | 3 |
M1 programs | 3 |
is how | 3 |
does support | 3 |
at first | 3 |
Editor/Librarian try, | 3 |
other Editor/Librarian | 3 |
love to | 3 |
would love | 3 |
Wavestation (SR,A/D), | 3 |
series(O1W,O2W,O3W). series(X2,X3,X5) | 3 |
M3R, T1, | 3 |
M-1, M3R, | 3 |
The software | 3 |
could have | 3 |
3 | |
wanting to | 3 |
>windows-based editor? | 3 |
>to use | 3 |
had some | 3 |
>will read | 3 |
we would | 3 |
samples to | 3 |
are searching | 3 |
COMBINATION F0 | 3 |
you who | 3 |
am not | 3 |
type of | 3 |
this helps | 3 |
helps with | 3 |
can split | 3 |
note of | 3 |
Combi so | 3 |
can’t be | 3 |
(EDT) Subject: | 3 |
For example, | 3 |
play it | 3 |
for that | 3 |
Midi clock | 3 |
the information | 3 |
in real | 3 |
posted the | 3 |
-0400 (EDT) | 3 |
don't need | 3 |
dont have | 3 |
have time | 3 |
situation and | 3 |
T1 situation | 3 |
your T1 | 3 |
and produced | 3 |
and helps | 3 |
is also | 3 |
-0800 (PDT) | 3 |
and get | 3 |
M-1 er’s | 3 |
if your | 3 |
available for | 3 |
patches available | 3 |
(bass in | 3 |
in lower | 3 |
mean by | 3 |
any M1 | 3 |
to receive | 3 |
sure to | 3 |
lower half, | 3 |
the data | 3 |
data to | 3 |
half, organ | 3 |
are using. | 3 |
an email | 3 |
sound on | 3 |
could use | 3 |
with 16 | 3 |
copy of | 3 |
editor for | 3 |
I’ll see | 3 |
From: kchowning@foxmail.gfc.edu | 3 |
at it, | 3 |
You get | 3 |
for these | 3 |
you already | 3 |
H. Bostock” | 3 |
“Sherwin H. | 3 |
From: “Sherwin | 3 |
organ in | 3 |
where the | 3 |
anyone is | 3 |
with >the | 3 |
midimap.cfg. The | 3 |
Boss SE-50 | 3 |
half) and | 3 |
does not | 3 |
with drum | 3 |
it as | 3 |
Sherwin ——- | 3 |
advance for | 3 |
combinations and | 3 |
drum beat. | 3 |
128 problem. | 3 |
upper half) | 3 |
the back | 3 |
Also if | 3 |
the only | 3 |
get an | 3 |
very little | 3 |
load sounds | 3 |
It also | 3 |
Kyle -- | 3 |
-- ------- | 3 |
in upper | 3 |
to an | 3 |
sounds off | 3 |
Merry Christmas | 3 |
sounds with | 3 |
on that | 3 |
price, just | 3 |
listen to | 3 |
and prices | 3 |
prices would | 3 |
the price, | 3 |
matter the | 3 |
for now | 3 |
relatively inexpensive. | 3 |
inexpensive. Actually | 3 |
the time, | 3 |
posted on | 3 |
be good. | 3 |
good. Right | 3 |
several WWW | 3 |
seen several | 3 |
WWW sites | 3 |
Vision software | 3 |
have M1 | 3 |
it’s not | 3 |
help from | 3 |
the World | 3 |
using Vision | 3 |
need some | 3 |
people who | 3 |
some help | 3 |
is relatively | 3 |
Macintosh that | 3 |
speak the | 3 |
who speak | 3 |
M1 foreign | 3 |
foreign language!!!! | 3 |
your own | 3 |
to hear | 3 |
Chowning) Subject: | 3 |
to run | 3 |
kchowning@foxmail.gfc.edu (Kyle | 3 |
on Korg | 3 |
(Kyle Chowning) | 3 |
give you | 3 |
me anyway) | 3 |
Tue, 19 | 3 |
no way | 3 |
software for | 3 |
the track | 3 |
try this, | 3 |
for Macintosh | 3 |
end of | 3 |
the subject | 3 |
out if | 3 |
19 Dec | 3 |
anybody out | 3 |
there know | 3 |
so the | 3 |
that >will | 3 |
>really used | 3 |
still need | 3 |
because still | 3 |
need midi | 3 |
not compatible | 3 |
1, and | 3 |
that, because | 3 |
They discontinued | 3 |
"Omnes artes | 3 |
But even | 3 |
like that, | 3 |
strings to | 3 |
The problem | 3 |
and Greetings | 3 |
handy. They | 3 |
is most | 3 |
there FAQ | 3 |
number for | 3 |
FAQ on | 3 |
number handy. | 3 |
M1, go | 3 |
se continentur." | 3 |
when on | 3 |
with it. | 3 |
and MIDI | 3 |
of samples | 3 |
samples from | 3 |
stuff like | 3 |
send stuff | 3 |
compatible, but | 3 |
are compatible, | 3 |
list had | 3 |
maybe someone | 3 |
that maybe | 3 |
already like | 3 |
like me…..to | 3 |
M3R. don’t | 3 |
samples were | 3 |
patches with. | 3 |
share patches | 3 |
me…..to share | 3 |
just hoping | 3 |
more. was | 3 |
them. So | 3 |
So you | 3 |
making them. | 3 |
while until | 3 |
until can | 3 |
happy to | 3 |
know. It | 3 |
are let | 3 |
em any | 3 |
me know. | 3 |
smalt@nedernet.nl (Chris | 3 |
From: smalt@nedernet.nl | 3 |
up by | 3 |
Tornatore e-mail | 3 |
lights on | 3 |
Sent: 12. | 3 |
12. december | 3 |
just got | 3 |
*************************************************************************** * | 3 |
in Combi | 3 |
to create | 3 |
like cakewalk? | 3 |
Could you | 3 |
help is | 3 |
is appreciated. | 3 |
the interface | 3 |
* John | 3 |
and may | 3 |
you all. | 3 |
P. Flowers | 3 |
band wants | 3 |
wants to | 3 |
play Queen’s | 3 |
them on | 3 |
John P. | 3 |
have written | 3 |
at (212) | 3 |
am recording | 3 |
the Unicorn | 3 |
Mark of | 3 |
and decent | 3 |
address: Via | 3 |
in Palo | 3 |
Home address: | 3 |
Invision in | 3 |
Hi there! | 3 |
PC sequencers | 3 |
Palo Alto, | 3 |
trntrm01@cidoc.iuav.unive.it Home | 3 |
and to | 3 |
Alto, CA. | 3 |
e-mail address: | 3 |
address: trntrm01@cidoc.iuav.unive.it | 3 |
only seem | 3 |
sequencers like | 3 |
call Invision | 3 |
Invision Upgrade | 3 |
Upgrade is | 3 |
confusion. The | 3 |
the confusion. | 3 |
EVERYONE……Sorry about | 3 |
we could | 3 |
more. If | 3 |
why, call | 3 |
Sender: owner-korg-m1-l@io.org | 3 |
know why, | 3 |
wanna know | 3 |
you wanna | 3 |
much for | 3 |
an M3R. | 3 |
it’s coming | 3 |
(yes, it’s | 3 |
coming again) | 3 |
again) Merry | 3 |
Merry Christmas! | 3 |
and (yes, | 3 |
everyone and | 3 |
list, would | 3 |
this list, | 3 |
would say | 3 |
say hi | 3 |
hi to | 3 |
Christmas! And | 3 |
apparently it | 3 |
send to | 3 |
easy as | 3 |
sounds and | 3 |
list of | 3 |
as easy | 3 |
some time. | 3 |
would mute | 3 |
was. It | 3 |
Jacek L. | 3 |
takes up | 3 |
the bandwidth, | 3 |
bandwidth, so | 3 |
memeber in | 3 |
case, apparently | 3 |
whether the | 3 |
Zadok and | 3 |
I’m in | 3 |
sys-ex strings; | 3 |
different sys-ex | 3 |
determines whether | 3 |
interface determines | 3 |
never >really | 3 |
from their | 3 |
Re: patches.. | 3 |
software of | 3 |
Midi interface | 3 |
CD that | 3 |
M1's clock | 3 |
outputs. In | 3 |
the outputs. | 3 |
MIDI As | 3 |
As new | 3 |
new memeber | 3 |
redistributed on | 3 |
is redistributed | 3 |
because the | 3 |
Sun, Oct | 3 |
got my | 3 |
note to | 3 |
clock is | 3 |
and would | 3 |
to track | 3 |
not yet | 3 |
Pekka ——- | 3 |
it seems | 3 |
Ryan MacMillan | 3 |
MacMillan wrote: | 3 |
Regards, Pekka | 3 |
easy. Regards, | 3 |
With other | 3 |
all? With | 3 |
(EST) Subject: | 3 |
am in | 3 |
the volume | 3 |
here that | 3 |
27 Dec | 3 |
Lohman >IBM | 3 |
>IBM internal: | 3 |
>Rein Lohman | 3 |
regards, >Rein | 3 |
>Met vriendelijke | 3 |
UITVM1 >Internet: | 3 |
>Internet: r_lohman@nl.ibm.com | 3 |
Im sorry, | 3 |
Wed, 27 | 3 |
sorry, but | 3 |
an M1, | 3 |
M1, not | 3 |
as soon | 3 |
whem M1 | 3 |
such as | 3 |
+0100, you | 3 |
on 2/9/96, | 3 |
AM on | 3 |
wrote: >I | 3 |
note that | 3 |
so many | 3 |
Korg USA | 3 |
to Zadok | 3 |
Mon, 18 | 3 |
18 Dec | 3 |
on MIDI | 3 |
And here’s | 3 |
and edit | 3 |
own the | 3 |
can always | 3 |
over velocity | 3 |
velocity and | 3 |
MIDI, whem | 3 |
see if | 3 |
see and | 3 |
here’s my | 3 |
my short | 3 |
short question: | 3 |
question: Is | 3 |
Queen’s “Another | 3 |
Hewlett Packard | 3 |
Mode is | 3 |
M1 sounds | 3 |
sounds to | 3 |
multi-timbral setup | 3 |
of what | 3 |
Actually, multi-timbral | 3 |
what I’m | 3 |
will have | 3 |
more friendly | 3 |
balance to | 3 |
sent out | 3 |
controlling the | 3 |
when controlling | 3 |
Mode when | 3 |
program called | 3 |
friendly than | 3 |
the page | 3 |
19 08 | 3 |
Tue, 24 | 3 |
-0700 From: | 3 |
crash cymbal | 3 |
and an | 3 |
email: carlc@synopsys.com | 3 |
how it | 3 |
Carl email: | 3 |
machine bounced | 3 |
41 17 | 3 |
41 19 | 3 |
for instance, | 3 |
you in | 3 |
with an | 3 |
17 08 | 3 |
Are you | 3 |
and in | 3 |
leads me | 3 |
any tips | 3 |
tips on | 3 |
were sent | 3 |
but any | 3 |
Most of | 3 |
only the | 3 |
sounds them- | 3 |
that may | 3 |
creating them | 3 |
it diffi- | 3 |
Hope that | 3 |
I’ve found | 3 |
scratch. I’ve | 3 |
external sequencer | 3 |
from scratch. | 3 |
with one | 3 |
best ………………..Nick… | 3 |
(maybe should | 3 |
messages?!?): does | 3 |
does anyone | 3 |
post (maybe | 3 |
this post | 3 |
my last | 3 |
last part | 3 |
experience in | 3 |
in creating | 3 |
M1/T1? would | 3 |
appreciate not | 3 |
the M1/T1? | 3 |
even when | 3 |
it works. | 3 |
creating house/ | 3 |
and record | 3 |
this, but | 3 |
change was | 3 |
not remebered. | 3 |
remebered. It | 3 |
the change | 3 |
find that | 3 |
combination for | 3 |
and return | 3 |
did not | 3 |
of other | 3 |
list has | 3 |
front of | 3 |
You should | 3 |
but can’t | 3 |
may have | 3 |
for M1 | 3 |
and change | 3 |
leave that | 3 |
it, leave | 3 |
to replace | 3 |
replace my | 3 |
internal battery. | 3 |
piece of | 3 |
put in | 3 |
was probably | 3 |
probably time | 3 |
battery. But, | 3 |
But, have | 3 |
save it, | 3 |
combinations are | 3 |
edit, save | 3 |
the edit, | 3 |
power on, | 3 |
on, will | 3 |
occurence? Anybody | 3 |
Anybody else | 3 |
and do | 3 |
one program | 3 |
can think | 3 |
Of course, | 3 |
ability to | 3 |
to me, | 3 |
save your | 3 |
think of | 3 |
only one | 3 |
be read | 3 |
but they | 3 |
them in | 3 |
What’s this | 3 |
Logic Audio | 3 |
while I’m | 3 |
the VFX | 3 |
for all | 3 |
just symptom | 3 |
symptom of | 3 |
be put | 3 |
choose the | 3 |
little list | 3 |
have question | 3 |
my Korg | 3 |
MUST BE | 3 |
– have | 3 |
That is | 3 |
it and | 3 |
easy to | 3 |
is bit | 3 |
with me | 3 |
keyboard off | 3 |
you find | 3 |
heard from | 3 |
but pretty | 3 |
Boss), and | 3 |
Moog, but | 3 |
(Big Boss), | 3 |
sequencer (Big | 3 |
only M1 | 3 |
and PC | 3 |
and I'm | 3 |
I'm able | 3 |
calkwalk 4.0 | 3 |
situation for | 3 |
page and | 3 |
4.0 pro | 3 |
pro audio. | 3 |
Compared to | 3 |
audio. Compared | 3 |
pretty damn | 3 |
the demo, | 3 |
want em | 3 |
mode, and | 3 |
in combination | 3 |
em let | 3 |
Steven ——- | 3 |
am looking | 3 |
assign different | 3 |
down the | 3 |
close. If | 3 |
damn close. | 3 |
or just | 3 |
Mac Friendly? | 3 |
the parameters | 3 |
think put | 3 |
is your | 3 |
and instruments | 3 |
on calkwalk | 3 |
few house | 3 |
quite few | 3 |
all parts | 3 |
with on | 3 |
according to | 3 |
the Mini-Moog, | 3 |
drum set | 3 |
have quite | 3 |
get free | 3 |
to stop | 3 |
M1 bank | 3 |
with these | 3 |
Mode, all | 3 |
then play | 3 |
copy and | 3 |
Thanks Sherwin | 3 |
checked out | 3 |
win situation | 3 |
means that | 3 |
the Moog, | 3 |
anyone any | 3 |
any comments | 3 |
comments on | 3 |
instruments at | 3 |
analog, as | 3 |
and analog, | 3 |
Mini-Moog, of | 3 |
extended by | 3 |
41 00 | 3 |
parts can | 3 |
list. This | 3 |
be viewed | 3 |
some good | 3 |
good Techno | 3 |
To: korg-m1-l@io.org | 3 |
of new | 3 |
apply the | 3 |
with all | 3 |
back up | 3 |
go for | 3 |
I’ll try | 3 |
what you | 3 |
Reply-to: korg-m1-l@io.org | 3 |
-0400, you | 3 |
ya what | 3 |
and save | 3 |
what know. | 3 |
messages were | 3 |
set effect | 3 |
100 programs | 3 |
or two | 3 |
=;-) Met | 3 |
resembling analogue | 3 |
analogue bass | 3 |
bass or | 3 |
anything resembling | 3 |
get anything | 3 |
better way | 3 |
from someone | 3 |
one at | 3 |
leads etc. | 3 |
your music | 3 |
and your | 3 |
Now you | 3 |
your synth | 3 |
etc. out | 3 |
of mine. | 3 |
with ya | 3 |
fix is | 3 |
House drum | 3 |
full version | 3 |
and House | 3 |
Date: Sat, | 3 |
drum kits | 3 |
someone who | 3 |
——- Date: | 3 |
>Is there | 3 |
each track. | 3 |
by using | 3 |
same page | 3 |
Techno and | 3 |
you the | 3 |
found in | 3 |
notes in | 3 |
kits for | 3 |
M1. Any | 3 |
use it | 3 |
Thanks very | 3 |
things that | 3 |
some house | 3 |
interface and | 3 |
sounds let | 3 |
MB of | 3 |
of things | 3 |
programming some | 3 |
Any ideas? | 3 |
and not | 3 |
Combi Mode, | 3 |
need hand | 3 |
on programming | 3 |
hand on | 3 |
meant it | 3 |
24 Oct | 3 |
on: 1) | 3 |
I’m curious | 3 |
feedback on: | 3 |
1) have | 3 |
recording? I’m | 3 |
and harddisk | 3 |
harddisk recording? | 3 |
get feedback | 3 |
this because | 3 |
What's "midimapper"? | 3 |
file? What's | 3 |
.CFG file? | 3 |
have two | 3 |
two problems | 3 |
that I’d | 3 |
problems that | 3 |
sequencers and | 3 |
the amount | 3 |
considering running | 3 |
running Windows | 3 |
Windows NT. | 3 |
29 Oct | 3 |
What do | 3 |
being able | 3 |
high density | 3 |
NT. Does | 3 |
edit. Over | 3 |
especially running | 3 |
running sequencers | 3 |
equipment you | 3 |
channels have | 3 |
card, and | 3 |
the edit. | 3 |
to insert | 3 |
the .CFG | 3 |
M1 upside | 3 |
to 1, | 3 |
snail mail | 3 |
the part | 3 |
the choir | 3 |
sound can | 3 |
uploaded m1togm.zip... | 3 |
will read | 3 |
give it | 3 |
PROGRAM> you | 3 |
your MIDI | 3 |
up your | 3 |
into an | 3 |
02 00 | 3 |
this meant | 3 |
if you’re | 3 |
came with | 3 |
you set | 3 |
capable of | 3 |
the following: | 3 |
do the | 3 |
there will | 3 |
poster of | 3 |
the poster | 3 |
must be | 3 |
Sequencer Time | 3 |
be timing | 3 |
timing problems | 3 |
have you | 3 |
like it | 3 |
to reach | 3 |
loading the | 3 |
problems etc. | 3 |
the samples | 3 |
not working. | 3 |
Time Location | 3 |
Garth Boyd | 3 |
this PCM | 3 |
(EST) From: | 3 |
the factory. | 3 |
be appreciated. | 3 |
_still_ not | 3 |
PCM Program | 3 |
dumping the | 3 |
card product? | 3 |
I13. had | 3 |
to I13. | 3 |
figure out | 3 |
Program card | 3 |
the truth, | 3 |
recall it | 3 |
is recalled, | 3 |
this new | 3 |
MIDI loop? | 3 |
MIDI connections | 3 |
Schow) Subject: | 3 |
combination is | 3 |
truth, MIDI | 3 |
MIDI is | 3 |
not recall | 3 |
is _still_ | 3 |
saying that | 3 |
sound? do | 3 |
new sound? | 3 |
it’s pretty | 3 |
change. To | 3 |
had suspected | 3 |
Sun, 29 | 3 |
suspected that | 3 |
three word phrases repeated minimum three times
Phrase | Quantity |
---|---|
F0 42 30 | 86 |
42 30 19 | 69 |
30 19 4E | 45 |
F7 F0 42 | 41 |
Subject: Re: M1* | 30 |
10 F7 F0 | 25 |
30 19 41 | 24 |
be able to | 22 |
*********************************************************** noise noise | 19 |
——- Date: Mon, | 19 |
——- Date: Fri, | 19 |
4E 02 10 | 18 |
02 10 F7 | 18 |
30 26 4E | 17 |
From: noise@io.org Subject: | 17 |
42 30 26 | 17 |
one of the | 16 |
——- Date: Thu, | 16 |
19 4E 02 | 15 |
——- Date: Tue, | 14 |
NL52932 at UITVM1 | 14 |
internal: NL52932 at | 14 |
groet With kind | 14 |
vriendelijke groet With | 14 |
Fri, Feb 1996 | 14 |
With kind regards, | 14 |
00 F7 F0 | 14 |
(Chris Smalt) Subject: | 14 |
Date: Fri, Feb | 13 |
——- Date: Wed, | 13 |
M1 Mailing List | 12 |
Wed, 10 Jan | 11 |
if you have | 11 |
was wondering if | 11 |
Date: Wed, 10 | 11 |
UITVM1 Internet: r_lohman@nl.ibm.com | 11 |
regards, Rein Lohman | 11 |
smalt@nnet.nedernet.nl (Chris Smalt) | 11 |
-0500 From: noise@io.org | 11 |
Rein Lohman IBM | 11 |
IBM internal: NL52932 | 11 |
From: smalt@nnet.nedernet.nl (Chris | 11 |
+0200 From: smalt@nnet.nedernet.nl | 11 |
Met vriendelijke groet | 11 |
Lohman IBM internal: | 11 |
kind regards, Rein | 11 |
at UITVM1 Internet: | 11 |
let me know | 10 |
John Sexton | 10 |
*********************************************************** ——- Date: | 10 |
Internet: r_lohman@nl.ibm.com ——- | 10 |
the M1 in | 10 |
From: John Sexton | 10 |
Sexton | 10 |
N jsexton@gate.net http://www.gate.net/~jsexton/index.htm | 10 |
00 10 F7 | 10 |
SAM-1 sample playback | 10 |
Smalt) Subject: Re: | 10 |
4E 00 10 | 10 |
------- Date: Thu, | 10 |
Date: Thu, 12 | 10 |
at the same | 10 |
noise @io.org *********************************************************** | 10 |
sounds for M1/T1; | 10 |
house/techno sounds for | 10 |
From: david.abramsky@oln.com Date: | 10 |
noise noise @io.org | 10 |
Thu, 12 Oct | 10 |
on the list | 10 |
some of the | 10 |
M1/T1; SAM-1 sample | 10 |
the M1 is | 10 |
for M1/T1; SAM-1 | 10 |
I'M NEW, HELPING | 9 |
Tue, 12 Dec | 9 |
Thu, 11 Jan | 9 |
expansion board for | 9 |
Date: Tue, 12 | 9 |
noise@io.org Subject: Re: | 9 |
Chris ——- Date: | 9 |
@io.org http://www.io.org/~noise/ *********************************************************** | 9 |
To recall an | 9 |
noise @io.org http://www.io.org/~noise/ | 9 |
19 4E 12 | 9 |
F7 (+program change) | 9 |
noise noise @io.org | 9 |
Fri, 12 Jan | 9 |
——- Date: Sun, | 9 |
Sat, Oct 1995 | 9 |
Does anyone know | 9 |
F7 (+ program | 8 |
(+ program change) | 8 |
To call up | 8 |
Posted on February | 8 |
NEW, HELPING FRIEND | 8 |
how to get | 8 |
there way to | 8 |
it just the | 8 |
M1* house/techno sounds | 8 |
put the M1 | 8 |
sample playback quality | 8 |
as long as | 8 |
the M1 and | 8 |
If you have | 8 |
10 Jan 1996 | 8 |
Combi parameter changes | 8 |
r_lohman@nl.ibm.com ——- Date: | 8 |
parameter changes over | 8 |
changes over MIDI | 8 |
the PC sequencer | 8 |
If you want | 8 |
Lohman” | 8 |
“R. Lohman” | 8 |
http://www.io.org/~noise/ *********************************************************** ——- | 8 |
26 4E 02 | 8 |
been able to | 8 |
EST From: “R. | 8 |
From: “R. Lohman” | 8 |
19 4E 10 | 8 |
2008 by noise | 8 |
to get the | 7 |
using the M1 | 7 |
have noticed that | 7 |
Via A. Aleardi, | 7 |
A. Aleardi, 7/B | 7 |
Is there way | 7 |
Re: M1* Invision | 7 |
Aleardi, 7/B 30172 | 7 |
03 10 F7 | 7 |
on February 3, | 7 |
Thu, Oct 1995 | 7 |
Date: Fri, 12 | 7 |
else on the | 7 |
+0100 From: trntrm01@cidoc.iuav.unive.it | 7 |
From: trntrm01@cidoc.iuav.unive.it (Michele | 7 |
February 3, 2008 | 7 |
of the M1 | 7 |
(+program change) To | 7 |
as well as | 7 |
(Venezia) ITALY Tel. | 7 |
Mon, Oct 1995 | 7 |
Date: Mon, Oct | 7 |
Subject: Re: M1 | 7 |
change) To recall | 7 |
Re: M1* house/techno | 7 |
the number of | 7 |
Mestre (Venezia) ITALY | 7 |
19 41 0F | 7 |
12 00 F7 | 7 |
4E 12 00 | 7 |
know how to | 7 |
7/B 30172 Mestre | 7 |
30172 Mestre (Venezia) | 7 |
-- -- F7 | 7 |
Date: Sat, Oct | 7 |
7 | |
trntrm01@cidoc.iuav.unive.it (Michele Tornatore) | 7 |
4E 03 10 | 7 |
quoddam commune vinculum, | 7 |
cognatione quadam inter | 7 |
to the list | 7 |
quadam inter se | 7 |
habent quoddam commune | 7 |
Date: Thu, Oct | 7 |
1996 and Beyond | 7 |
11 Jan 1996 | 7 |
Mailing List – | 7 |
et quasi cognatione | 7 |
quasi cognatione quadam | 7 |
– 1996 and | 7 |
List – 1996 | 7 |
The M1 Mailing | 7 |
19 4E 03 | 7 |
ad humanitatem pertinent | 7 |
quae ad humanitatem | 7 |
humanitatem pertinent habent | 7 |
Archia, I, 2) | 7 |
M1- The M1 | 7 |
pertinent habent quoddam | 7 |
artes quae ad | 7 |
on the M1 | 7 |
Pro Archia, I, | 7 |
3, 2008 by | 7 |
long as the | 7 |
(CICERONE, Pro Archia, | 7 |
2) Michele Tornatore | 6 |
ITALY Tel. 39 | 6 |
by program change. | 6 |
Re: M1- The | 6 |
followed by program | 6 |
around the 100 | 6 |
12 Dec 1995 | 6 |
anyone know of | 6 |
vinculum, et quasi | 6 |
sounds for the | 6 |
and techno sounds | 6 |
house and techno | 6 |
wondering if anyone | 6 |
to be able | 6 |
similar to the | 6 |
Does anyone have | 6 |
(Michele Tornatore) Subject: | 6 |
Anwar | 6 |
Shoaib Anwar | 6 |
commune vinculum, et | 6 |
From: ChickenSax@aol.com Date: | 6 |
you can get | 6 |
It’s one of | 6 |
let me know. | 6 |
From: Shoaib Anwar | 6 |
——- From: Shoaib | 6 |
get around the | 6 |
in Korg M1 | 6 |
midi channel 1. | 6 |
the M1 for | 6 |
AND GENERAL MIDI | 6 |
M1 AND GENERAL | 6 |
Re: M1* Re: | 6 |
as opposed to | 6 |
… is it | 6 |
board for M1, | 6 |
it would be | 6 |
the phone number | 6 |
is it just | 6 |
for M1, M3, | 6 |
M1, M3, Wavestation | 6 |
back to the | 6 |
-0500 From: John | 6 |
able to play | 6 |
10 00 F7 | 6 |
just the battery? | 6 |
anyone have any | 6 |
to the list. | 6 |
slot expansion board | 6 |
go into the | 6 |
My M1 forgets | 6 |
M1 forgets … | 6 |
and have the | 6 |
19 4E 00 | 6 |
Posted in Korg | 6 |
have any experience | 6 |
I, 2) Michele | 6 |
M1* SAM1 – | 6 |
for the M1 | 6 |
– PCM slot | 6 |
SAM1 – PCM | 6 |
forgets … is | 6 |
PCM slot expansion | 6 |
From: NATEGOULET@ids.net Date: | 5 |
send it to | 5 |
M1* Re: Club | 5 |
M1* KORG SAM1 | 5 |
of patches that | 5 |
to the same | 5 |
you want to | 5 |
part of the | 5 |
PROGRAM: F0 42 | 5 |
12 Oct 95 | 5 |
Club Midi Magazine | 5 |
Mailing List Archives | 5 |
any of the | 5 |
http://www.gate.net/~jsexton/index.htm ————————————- ——- | 5 |
Re: Club Midi | 5 |
Korg M1 Mailing | 5 |
patches for the | 5 |
12 Oct 1995 | 5 |
——- From: NATEGOULET@ids.net | 5 |
me know if | 5 |
change) To call | 5 |
to respond to | 5 |
string: F0 42 | 5 |
the Korg M1 | 5 |
program change) To | 5 |
sys-ex string: F0 | 5 |
recall an INTERNAL | 5 |
jsexton@gate.net http://www.gate.net/~jsexton/index.htm ——————————————– | 5 |
10 01 F7 | 5 |
——- From: david.abramsky@oln.com | 5 |
4E 10 01 | 5 |
F7 followed by | 5 |
the demo CD | 5 |
http://www.gate.net/~jsexton/index.htm ——————————————– ——- | 5 |
All the best | 5 |
this sys-ex string: | 5 |
------- Date: Sat, | 5 |
4E 12 01 | 5 |
any way to | 5 |
4E 10 00 | 5 |
-0400 From: noise@io.org | 5 |
— ——- From: | 5 |
from the M1 | 5 |
5 | |
you need this | 5 |
need this sys-ex | 5 |
all | 5 |
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