last data update: 2011/10/14, 04:31
Website loading time
during the test: 6.61 s
cable connection (average): 6.68 s
DSL connection (average): 6.76 s
modem (average): 10.7 s
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HTTP/1.0 301 Moved Permanently
Date: Fri, 14 Oct 2011 11:31:22 GMT
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Date: Fri, 14 Oct 2011 11:31:22 GMT
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Subdomains (the first 50)
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Location
IP: 199.120.223.127
continent: NA, country: United States (USA), city: Gilbert
Website value
rank in the traffic statistics: 830 736
There is not enough data to estimate website value.
Basic information
website build using CSS
code weight: 28.61 KB
text per all code ratio: 23 %
title: Film Music Magazine
description: The Professional Voice of Music for Film & Television
keywords:
encoding: UTF-8
language: en
Website code analysis
one word phrases repeated minimum three times
Phrase | Quantity |
---|---|
of | 22 |
the | 22 |
Music | 19 |
and | 16 |
Film | 13 |
Composer | 11 |
The | 11 |
to | 9 |
at | 8 |
in | 7 |
Composers | 6 |
for | 6 |
New | 5 |
ASCAP | 5 |
music | 5 |
Scoring | 5 |
how | 4 |
For | 4 |
2011 | 4 |
Audio | 4 |
To | 4 |
TV | 4 |
Industry | 3 |
Announces | 3 |
Unionization | 3 |
top | 3 |
ruling | 3 |
business | 3 |
THE | 3 |
from | 3 |
film | 3 |
that | 3 |
musical | 3 |
BMI | 3 |
as | 3 |
vs. | 3 |
With | 3 |
discusses | 3 |
Mark | 3 |
interviews | 3 |
was | 3 |
two word phrases repeated minimum three times
Phrase | Quantity |
---|---|
Film Music | 6 |
Film Scoring | 3 |
Film TV | 3 |
three word phrases repeated minimum three times
B tags
Music Libraries: From Last Resort to Power Players
Jane Antonia Cornish
Audio: Fans of Film Music 2
Scoring Session With Composer Bear McCreary
College Film Scoring Programs: Selling The Dream vs. Disclosing Reality
Free The Slaves?
Albion: A Professional Orchestration Review
Audio: Danny Elfman
Orchestration: The Devil Is In The Details, Part 2
BMI Filmmaker/Composer Panel, ASCAP Music Cafe
20,000 Leagues Under The Sea / The Black Hole
Benefits of Joining Overseas Royalty Societies
CineRadio Top-20 for August, 2011
ScoreKeepers Music Names Eric Hester as VP of Music Production
Composer Census Group Announces over 3,000 Downloads of 2011 Film & TV Composer Census
Seattle Composers Alliance Presents “Compose Yourself” Oct 8-9 with Ron Jones
Hummie Mann LA Seminar Oct 11-12 “What to Write?!”
Marco Beltrami Helms Recording Session for Composer-In-Residence Program at USC
ASCAP Announces Award and Grant Recipients from its Annual Television and Film Scoring Workshops
2012 BMI Student Composer Award Competition Opens
GameSoundCon 2011 San Francisco Set For November 11-12 at Pyramid Studios
Pacific Northwest Film Scoring Program to Offer Professional Seminar Series in Los Angeles
FMM Exclusive Audio Interview: Bruce Broughton of the AMCL Talks About What Happened With the Teamsters and the Future of Composer Unionization
Cody Westheimer Pens New Theme For Tour de France
ABC Studios and Chop Shop/Atlantic Records Announce New “Grey’s Anatomy” Soundtrack Album
AMCL Composer Group Abandons Unionization Efforts “For Now”; CGA To Continue Composer Unionization Drive
NARIP Announces Music Supervisor Sessions in NY
Sundance Institute Taps Six Fellows for 2011 Film Composers Lab
U tags
I tags
images
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headers
H1
H2
Feature Story
Opinion
Composer Profile
Industry Spotlight
Scoring Sessions
Final Note
Technology
Tech Review
On The Score
Chart Doctor
Music Supervision
CD Reviews
Royalty Checks and Reality Checks
CineRadio
More Industry News
Film & TV Music Job Listings
Featured Video
Industry Blogs and Shows
Film & TV Music Resources
H3
Feature Story
Opinion
Composer Profile
Industry Spotlight
Scoring Sessions
Final Note
Technology
Tech Review
On The Score
Chart Doctor
Music Supervision
CD Reviews
Royalty Checks and Reality Checks
CineRadio
More Industry News
Film & TV Music Job Listings
Featured Video
Industry Blogs and Shows
Film & TV Music Resources
H4
H5
H6
internal links
address | anchor text |
---|---|
http://www.filmmusicmag.com | Film Music Magazine |
http://www.filmmusicmag.com | Home |
http://www.filmmusicmag.com/?page_id=1046 | FMPRO List |
http://www.filmmusicmag.com/?page_id=4984 | Contact |
http://www.filmmusicmag.com/?page_id=4992 | Anonymous News Tip |
http://www.filmmusicmag.com/?page_id=6524 | Composer Spotlight Nomination Form |
http://www.filmmusicmag.com/kb | FAQ |
http://www.filmmusicmag.com/?p=8641 | Supreme Court Rejects ASCAP’s Argument That Music Downloads Are Public Performances |
http://www.filmmusicmag.com/?cat=22 | Opinion |
http://www.filmmusicmag.com/?p=8075 | Music Libraries: From Last Resort to Power Players |
http://www.filmmusicmag.com/?cat=39 | Composer Profile |
http://www.filmmusicmag.com/?p=8652 | Jane Antonia Cornish |
http://www.filmmusicmag.com/?cat=37 | Industry Spotlight |
http://www.filmmusicmag.com/?p=8416 | Audio: Fans of Film Music 2 |
http://www.filmmusicmag.com/?cat=41 | Scoring Sessions |
http://www.filmmusicmag.com/?p=7502 | Scoring Session With Composer Bear McCreary |
http://www.filmmusicmag.com/?cat=15 | Final Note |
http://www.filmmusicmag.com/?p=8191 | College Film Scoring Programs: Selling The Dream vs. Disclosing Reality |
http://www.filmmusicmag.com/?cat=14 | Technology |
http://www.filmmusicmag.com/?p=8568 | Free The Slaves? |
http://www.filmmusicmag.com/?cat=40 | Tech Review |
http://www.filmmusicmag.com/?p=8556 | Albion: A Professional Orchestration Review |
http://www.filmmusicmag.com/?cat=18 | On The Score |
http://www.filmmusicmag.com/?p=8577 | Audio: Danny Elfman |
http://www.filmmusicmag.com/?cat=17 | Chart Doctor |
http://www.filmmusicmag.com/?p=7981 | Orchestration: The Devil Is In The Details, Part 2 |
http://www.filmmusicmag.com/?cat=35 | Music Supervision |
http://www.filmmusicmag.com/?p=7113 | BMI Filmmaker/Composer Panel, ASCAP Music Cafe |
http://www.filmmusicmag.com/?cat=16 | CD Reviews |
http://www.filmmusicmag.com/?p=8664 | 20,000 Leagues Under The Sea / The Black Hole |
http://www.filmmusicmag.com/?cat=21 | Royalty Checks and Reality Checks |
http://www.filmmusicmag.com/?p=3236 | Benefits of Joining Overseas Royalty Societies |
http://www.filmmusicmag.com/?cat=19 | CineRadio |
http://www.filmmusicmag.com/?p=8692 | CineRadio Top-20 for August, 2011 |
http://www.filmmusicmag.com/?cat=3 | More Industry News |
http://www.filmmusicmag.com/?p=8643 | ScoreKeepers Music Names Eric Hester as VP of Music Production |
http://www.filmmusicmag.com/?p=8602 | Composer Census Group Announces over 3,000 Downloads of 2011 Film & TV Composer Census |
http://www.filmmusicmag.com/?p=8599 | Seattle Composers Alliance Presents “Compose Yourself” Oct 8-9 with Ron Jones |
http://www.filmmusicmag.com/?p=8597 | Hummie Mann LA Seminar Oct 11-12 “What to Write?!” |
http://www.filmmusicmag.com/?p=8592 | Marco Beltrami Helms Recording Session for Composer-In-Residence Program at USC |
http://www.filmmusicmag.com/?p=8590 | ASCAP Announces Award and Grant Recipients from its Annual Television and Film Scoring Workshops |
http://www.filmmusicmag.com/?p=8588 | 2012 BMI Student Composer Award Competition Opens |
http://www.filmmusicmag.com/?p=8594 | GameSoundCon 2011 San Francisco Set For November 11-12 at Pyramid Studios |
http://www.filmmusicmag.com/?p=8508 | Pacific Northwest Film Scoring Program to Offer Professional Seminar Series in Los Angeles |
http://www.filmmusicmag.com/?p=8353 | FMM Exclusive Audio Interview: Bruce Broughton of the AMCL Talks About What Happened With the Teamsters and the Future of Composer Unionization |
http://www.filmmusicmag.com/?p=8381 | Cody Westheimer Pens New Theme For Tour de France |
http://www.filmmusicmag.com/?p=8379 | ABC Studios and Chop Shop/Atlantic Records Announce New “Grey’s Anatomy” Soundtrack Album |
http://www.filmmusicmag.com/?p=8273 | AMCL Composer Group Abandons Unionization Efforts “For Now”; CGA To Continue Composer Unionization Drive |
http://www.filmmusicmag.com/?p=8271 | NARIP Announces Music Supervisor Sessions in NY |
http://www.filmmusicmag.com/?p=8269 | Sundance Institute Taps Six Fellows for 2011 Film Composers Lab |
# | Most Popular |
# | Most Commented |
http://www.filmmusicmag.com/?p=1820 | Sibelius vs. Finale: How To Choose? |
http://www.filmmusicmag.com/?p=1565 | "Twilight" Assigned to Carter Burwell |
http://www.filmmusicmag.com/?p=38 | The New Editors: When Composers Stop Composing |
http://www.filmmusicmag.com/?p=39 | Composer Royalties on DVDs and Downloads: Why Not? |
http://www.filmmusicmag.com/?p=1770 | Are Composers To Blame For GigaStudio's Demise? Some Observations. |
http://www.filmmusicmag.com/?p=3109 | Pump Audio Cuts Composer Sync Fee Share 30% |
http://www.filmmusicmag.com/?p=1820 | Sibelius vs. Finale: How To Choose? |
http://www.filmmusicmag.com/?p=5069 | Wilkinson Expands Cue Sheet Claims With 7 Additional TV Series |
http://www.filmmusicmag.com/?p=4433 | Thanks ASCAP, But Do We Really Need More Concert Composers Competing For Films? |
http://www.filmmusicmag.com/?p=5440 | AFTRA and AFM Unions Endorse New Teamsters Composers Union Efforts |
http://www.filmmusicmag.com | Home |
http://www.filmmusicmag.com/?feed=rss2 | RSS |
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