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| annemini.com | TXT | v=spf1 a mx a:mail.textdrive.com ?all | Array | IN | 2400 |
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| annemini.com | NS | dns1.textdrive.com | IN | 2400 | |
| annemini.com | NS | dns2.textdrive.com | IN | 2400 | |
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dns2.textdrive.com. 120 IN A 67.19.174.106
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Subdomains (the first 50)
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| znnemini.com snnemini.com wnnemini.com qnnemini.com abnemini.com amnemini.com ajnemini.com ahnemini.com anbemini.com anmemini.com anjemini.com anhemini.com annwmini.com annsmini.com anndmini.com annrmini.com ann4mini.com ann3mini.com annenini.com annekini.com | annejini.com annemuni.com annemjni.com annemkni.com annemoni.com annem9ni.com annem8ni.com annemibi.com annemimi.com annemiji.com annemihi.com anneminu.com anneminj.com annemink.com annemino.com annemin9.com annemin8.com nnemini.com anemini.com anemini.com | annmini.com anneini.com annemni.com annemii.com annemin.com nanemini.com annemini.com anenmini.com annmeini.com anneimni.com annemnii.com annemiin.com aannemini.com annnemini.com annnemini.com anneemini.com annemmini.com annemiini.com anneminni.com anneminii.com |
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continent: NA, country: United States (USA), city: San Diego
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Basic information
website build using CSS
code weight: 531.6 KB
text per all code ratio: 53 %
title: Author! Author!
description:
keywords:
encoding: UTF-8
language: en
Website code analysis
one word phrases repeated minimum three times
| Phrase | Quantity |
|---|---|
| the | 253 |
| to | 235 |
| of | 154 |
| in | 113 |
| that | 103 |
| you | 87 |
| is | 63 |
| and | 60 |
| for | 59 |
| your | 54 |
| it | 54 |
| an | 52 |
| agent | 52 |
| or | 50 |
| have | 46 |
| be | 46 |
| at | 44 |
| with | 41 |
| — | 40 |
| this | 38 |
| not | 38 |
| query | 35 |
| as | 34 |
| if | 33 |
| on | 30 |
| will | 29 |
| who | 29 |
| about | 29 |
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| are | 27 |
| but | 26 |
| book | 26 |
| my | 25 |
| her | 23 |
| would | 21 |
| she | 21 |
| out | 20 |
| their | 20 |
| it’s | 19 |
| agency | 18 |
| some | 18 |
| what | 18 |
| so | 18 |
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| agents | 17 |
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| letter | 16 |
| many | 15 |
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| from | 14 |
| don’t | 14 |
| even | 14 |
| all | 14 |
| than | 14 |
| target | 13 |
| want | 13 |
| any | 13 |
| just | 13 |
| writer | 12 |
| market | 12 |
| every | 12 |
| do | 12 |
| The | 12 |
| was | 12 |
| going | 12 |
| make | 12 |
| send | 12 |
| good | 11 |
| work | 11 |
| they | 11 |
| had | 11 |
| read | 11 |
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| me | 10 |
| these | 10 |
| ask | 10 |
| Ermintrude | 10 |
| into | 10 |
| been | 10 |
| why | 9 |
| no | 9 |
| before | 9 |
| there | 9 |
| And | 9 |
| did | 9 |
| such | 9 |
| only | 9 |
| time | 9 |
| publishing | 9 |
| when | 8 |
| quite | 8 |
| same | 8 |
| I’m | 8 |
| often | 8 |
| Betheen | 8 |
| Why | 8 |
| written | 8 |
| writers | 8 |
| most | 8 |
| should | 8 |
| you’re | 8 |
| much | 8 |
| particular | 8 |
| each | 8 |
| those | 7 |
| worth | 7 |
| last | 7 |
| Dear | 7 |
| call | 7 |
| editor | 7 |
| whom | 7 |
| could | 7 |
| queries, | 7 |
| say | 7 |
| over | 7 |
| because | 7 |
| heard | 7 |
| point | 7 |
| it. | 7 |
| agencies | 7 |
| via | 7 |
| But | 7 |
| So | 7 |
| find | 7 |
| little | 7 |
| agency’s | 7 |
| them | 7 |
| Agent | 6 |
| approach | 6 |
| exclusive | 6 |
| How | 6 |
| writing | 6 |
| write | 6 |
| being | 6 |
| recent | 6 |
| it? | 6 |
| few | 6 |
| really | 6 |
| am | 6 |
| best | 6 |
| see | 6 |
| mention | 6 |
| right | 6 |
| assume | 6 |
| hear | 6 |
| other | 6 |
| likely | 6 |
| Author! | 6 |
| him | 6 |
| readers | 6 |
| polite | 6 |
| sending | 6 |
| manuscript | 6 |
| believe | 6 |
| does | 5 |
| As | 5 |
| e-mail, | 5 |
| appeal | 5 |
| happen | 5 |
| information | 5 |
| idea | 5 |
| another | 5 |
| paragraph | 5 |
| its | 5 |
| querier | 5 |
| made | 5 |
| least | 5 |
| no, | 5 |
| standard | 5 |
| without | 5 |
| check | 5 |
| Well, | 5 |
| that’s | 5 |
| tend | 5 |
| someone | 5 |
| This | 5 |
| may | 5 |
| book. | 5 |
| conference | 5 |
| Querying | 5 |
| It’s | 5 |
| take | 5 |
| reject | 5 |
| queriers | 5 |
| pretty | 5 |
| means | 5 |
| two | 5 |
| Ms. | 5 |
| way | 5 |
| doesn’t | 5 |
| something | 5 |
| already | 5 |
| What | 5 |
| unlikely | 5 |
| off | 5 |
| know | 5 |
| actually | 5 |
| name | 5 |
| prefers | 4 |
| literary | 4 |
| fact | 4 |
| enough | 4 |
| bit | 4 |
| sent | 4 |
| matter | 4 |
| look | 4 |
| which | 4 |
| paper | 4 |
| get | 4 |
| set | 4 |
| easy | 4 |
| cozy | 4 |
| Gen | 4 |
| Am | 4 |
| “But | 4 |
| next | 4 |
| through | 4 |
| vague | 4 |
| she’s | 4 |
| (and | 4 |
| book, | 4 |
| hundreds | 4 |
| anyway. | 4 |
| question | 4 |
| fiction | 4 |
| is, | 4 |
| Even | 4 |
| website | 4 |
| clear | 4 |
| Anne,” | 4 |
| sense | 4 |
| happens | 4 |
| too | 4 |
| aspiring | 4 |
| back | 4 |
| is. | 4 |
| represents | 4 |
| makes | 4 |
| possible | 4 |
| list | 4 |
| very | 4 |
| guides, | 4 |
| down | 4 |
| and/or | 4 |
| must | 4 |
| tell | 4 |
| marketing | 4 |
| speak | 4 |
| think | 4 |
| audience | 4 |
| specific | 4 |
| it, | 4 |
| able | 4 |
| In | 4 |
| we | 4 |
| prefer | 4 |
| aware | 4 |
| either | 4 |
| still | 4 |
| million | 4 |
| peek | 4 |
| United | 3 |
| population | 3 |
| big | 3 |
| addressed | 3 |
| pitch | 3 |
| Not | 3 |
| there? | 3 |
| sales | 3 |
| reader | 3 |
| unless | 3 |
| allow | 3 |
| everyone | 3 |
| you’ve | 3 |
| simply | 3 |
| also | 3 |
| rejected | 3 |
| way, | 3 |
| comes | 3 |
| rather | 3 |
| approaching | 3 |
| he | 3 |
| thinks: | 3 |
| hard | 3 |
| that’s | 3 |
| aimed | 3 |
| specifically | 3 |
| words | 3 |
| divorced | 3 |
| That’s | 3 |
| answer | 3 |
| never | 3 |
| bad | 3 |
| common | 3 |
| people | 3 |
| statistics | 3 |
| herself | 3 |
| trauma | 3 |
| them, | 3 |
| didn’t | 3 |
| probably | 3 |
| letters, | 3 |
| isn’t | 3 |
| claim | 3 |
| well | 3 |
| having | 3 |
| queriers, | 3 |
| thought | 3 |
| US | 3 |
| Do | 3 |
| given | 3 |
| once | 3 |
| currently | 3 |
| since | 3 |
| obvious | 3 |
| e-mailed | 3 |
| talking | 3 |
| upon | 3 |
| yes, | 3 |
| basic | 3 |
| category, | 3 |
| one, | 3 |
| case | 3 |
| tastes | 3 |
| accept | 3 |
| seem | 3 |
| policies | 3 |
| ascertain | 3 |
| s/he | 3 |
| hope | 3 |
| picked | 3 |
| 3 | |
| usually | 3 |
| person | 3 |
| you, | 3 |
| afraid | 3 |
| SASE | 3 |
| pages | 3 |
| addressing | 3 |
| policy | 3 |
| agent’s | 3 |
| wants | 3 |
| half | 3 |
| online | 3 |
| own | 3 |
| paragraph. | 3 |
| “Oh, | 3 |
| query. | 3 |
| give | 3 |
| guidelines | 3 |
| interested | 3 |
| ways | 3 |
| represent | 3 |
| job | 3 |
| put | 3 |
| seldom | 3 |
| different | 3 |
| agents’ | 3 |
| Mr. | 3 |
| me, | 3 |
| salutation | 3 |
| pet | 3 |
| faculty | 3 |
| relatively | 3 |
| Since | 3 |
| multiple | 3 |
| form | 3 |
two word phrases repeated minimum three times
| Phrase | Quantity |
|---|---|
| of the | 31 |
| in the | 28 |
| to be | 23 |
| the agent | 17 |
| an agent | 16 |
| to the | 15 |
| that the | 11 |
| on the | 11 |
| if you | 10 |
| of you | 10 |
| want to | 9 |
| for the | 9 |
| the first | 9 |
| going to | 9 |
| the same | 8 |
| one of | 8 |
| query letter | 8 |
| with the | 8 |
| of these | 7 |
| it is | 7 |
| how to | 7 |
| will be | 7 |
| the agency | 6 |
| the book | 6 |
| to have | 6 |
| you are | 6 |
| in this | 6 |
| in one | 6 |
| — and | 5 |
| of whom | 5 |
| at least | 5 |
| you to | 5 |
| How to | 5 |
| many of | 5 |
| to make | 5 |
| tend to | 5 |
| my book | 5 |
| you have | 5 |
| into the | 5 |
| to read | 5 |
| — or | 5 |
| that it | 5 |
| before you | 5 |
| some of | 5 |
| assume that | 5 |
| the standard | 5 |
| target market | 5 |
| if the | 5 |
| be able | 4 |
| the best | 4 |
| to send | 4 |
| with an | 4 |
| an exclusive | 4 |
| in an | 4 |
| at the | 4 |
| on their | 4 |
| for your | 4 |
| there are | 4 |
| able to | 4 |
| have written | 4 |
| If you | 4 |
| work in | 4 |
| one that | 4 |
| point of | 4 |
| Millicent to | 4 |
| “But Anne,” | 4 |
| target audience | 4 |
| more than | 4 |
| one agent | 4 |
| happen to | 4 |
| in your | 4 |
| that you | 4 |
| by the | 4 |
| Author! Author! | 4 |
| standard agency | 4 |
| all of | 4 |
| agent in | 4 |
| of your | 4 |
| the next | 4 |
| likely to | 4 |
| first paragraph | 4 |
| to check | 4 |
| any of | 4 |
| — if | 4 |
| to get | 4 |
| unlikely to | 4 |
| that your | 4 |
| the last | 4 |
| to see | 4 |
| prefers to | 4 |
| of this | 3 |
| exclusive peek | 3 |
| book for | 3 |
| to someone | 3 |
| are the | 3 |
| agent of | 3 |
| out what | 3 |
| agent or | 3 |
| Even if | 3 |
| your target | 3 |
| you could | 3 |
| have been | 3 |
| should be | 3 |
| have that | 3 |
| she had | 3 |
| agent with | 3 |
| look at | 3 |
| an agency’s | 3 |
| queries in | 3 |
| to reject | 3 |
| agent to | 3 |
| is an | 3 |
| to mention | 3 |
| find out | 3 |
| make that | 3 |
| or have | 3 |
| Dear Agent | 3 |
| your work | 3 |
| the right | 3 |
| editor at | 3 |
| agent you | 3 |
| isn’t it? | 3 |
| going through | 3 |
| book to | 3 |
| you should | 3 |
| sending out | 3 |
| agents will | 3 |
| enough to | 3 |
| in her | 3 |
| to do | 3 |
| that writer | 3 |
| any agent | 3 |
| the specific | 3 |
| you happen | 3 |
| her target | 3 |
| the conference | 3 |
| she is | 3 |
| about her | 3 |
| your query | 3 |
| appeal to | 3 |
| will appeal | 3 |
| query to | 3 |
| book category, | 3 |
| first paragraph. | 3 |
| interested in | 3 |
| it via | 3 |
| be interested | 3 |
| half of | 3 |
| to ascertain | 3 |
| this query | 3 |
| writer is | 3 |
| they have | 3 |
| your book | 3 |
| have divorced | 3 |
| in my | 3 |
| as the | 3 |
| the agency’s | 3 |
| particular agent | 3 |
| you who | 3 |
| easy to | 3 |
| to every | 3 |
| would be | 3 |
| have at | 3 |
| every agent | 3 |
| me to | 3 |
| agent who | 3 |
| the United | 3 |
| will have | 3 |
| ask for | 3 |
| put it | 3 |
| how many | 3 |
| the point | 3 |
| population is | 3 |
| not to | 3 |
| Ermintrude has | 3 |
| aware of | 3 |
| and ask | 3 |
| the time | 3 |
| query that | 3 |
| those of | 3 |
| rather than | 3 |
| agent has | 3 |
| to write | 3 |
| the information | 3 |
| market for | 3 |
| your book. | 3 |
| to tell | 3 |
| not at | 3 |
| to your | 3 |
| you may | 3 |
| at your | 3 |
three word phrases repeated minimum three times
| Phrase | Quantity |
|---|---|
| one of the | 7 |
| of the standard | 5 |
| the standard agency | 4 |
| be able to | 4 |
| in one of | 4 |
| be interested in | 3 |
| tend to be | 3 |
| agent in the | 3 |
| will appeal to | 3 |
| prefers to be | 3 |
| to the point | 3 |
| you happen to | 3 |
| those of you | 3 |
| an agent who | 3 |
| the agent you | 3 |
| an exclusive peek | 3 |
| the point of | 3 |
| How to write | 3 |
| of you who | 3 |
| about her target | 3 |
| that the agent | 3 |
| to be able | 3 |
| for your book. | 3 |
| the agent of | 3 |
B tags
U tags
I tags
images
| file name | alternative text |
|---|---|
| Barbie-ad.jpg | Barbie ad |
| broken-record-150x150.jpg | broken-record |
| cardinal-richelieu-tripych.jpg | |
| wrong-names-query.jpg | wrong names query |
| a-query-for-mme-b.jpg | bad-flaubert-query-letter-2 |
| flying-fish-2.jpg | mars query indented |
| Mme-bovary-query.jpg | biz style mars query |
| too-familiar-query.jpg | |
| illuminated-manuscript.jpg | |
| bad-flaubert-query.jpg | |
| bad-flaubert-query-letter-2-791x1024.jpg | |
| helvetica-mme-b.jpg | |
| large-font-query.jpg | |
| page-1-b-query.jpg | |
| page-2-bovary-q.jpg | |
| no-margins-query.jpg | |
| tiny-query.jpg | |
| shrunk-query.jpg | |
| autumn-leaf-1024x768.jpg | |
| not-equal-sign.jpg | |
| mars-query-indented.jpg | |
| biz-style-mars-query.jpg | |
| tickertape-parade.jpg | |
| sample-query-to-mars.jpg | |
| Sphinx-Boston.jpg | |
| guinea-pig3-225x300.jpg | |
| guinea-pig2-225x300.jpg | |
| guinea-pig-225x300.jpg | |
| thinkingbloggerpf8.jpg |
headers
H1
Author! Author!
H2
Queryfest, part VII: pretty is as pretty does, or, what makes you think that polyester minidresses are still in style, Barbie?
Queryfest, part VI: is this my best side?
Queryfest, part V: things are not always as they appear to be
Entr’acte: an increasingly common criticism that simply makes no sense in literate circles
Queryfest, part IV: wait, you mean it matters how it looks on the page?
Queryfest, part III: eschewing the classic annoyance triggers, or, leaving that leaf unturned may cost you
Queryfest, part II: the infamous self-rejecting query, or, when is a letter addressed to a business not a business letter?
Queryfest 2011 is open for business — and the masses rejoice!
Premises, premises
An update on the Author! Author! Perfect Pitch Competition of 2011 — and would anyone out there like to be a guinea pig for Queryfest?
Search:
Archives:
Blogroll
Categories:
Meta:
H3
Queryfest, part VII: pretty is as pretty does, or, what makes you think that polyester minidresses are still in style, Barbie?
Queryfest, part VI: is this my best side?
Queryfest, part V: things are not always as they appear to be
Entr’acte: an increasingly common criticism that simply makes no sense in literate circles
Queryfest, part IV: wait, you mean it matters how it looks on the page?
Queryfest, part III: eschewing the classic annoyance triggers, or, leaving that leaf unturned may cost you
Queryfest, part II: the infamous self-rejecting query, or, when is a letter addressed to a business not a business letter?
Queryfest 2011 is open for business — and the masses rejoice!
Premises, premises
An update on the Author! Author! Perfect Pitch Competition of 2011 — and would anyone out there like to be a guinea pig for Queryfest?
Search:
Archives:
Blogroll
Categories:
Meta:
H4
H5
H6
internal links
| address | anchor text |
|---|---|
| http://www.annemini.com | Author! Author! |
| http://www.annemini.com | Author! Author! |
| http://www.annemini.com/?p=16200 | Queryfest, part VII: pretty is as pretty does, or, what makes you think that polyester minidresses are still in style, Barbie? |
| http://www.annemini.com/?p=16100 | the quite good query letter we discussed in Part I of this series |
| http://www.annemini.com/?cat=2677 | After an agent has said no |
| http://www.annemini.com/?cat=100 | Agency guides |
| http://www.annemini.com/?cat=2465 | Agency submission guidelines and how to read them |
| http://www.annemini.com/?cat=2254 | Approaching agents online or by e-mail |
| http://www.annemini.com/?cat=2293 | Common agents' pet peeves |
| http://www.annemini.com/?cat=643 | Dear Agent letters |
| http://www.annemini.com/?cat=86 | E-mailing queries |
| http://www.annemini.com/?cat=9 | Editors |
| http://www.annemini.com/?cat=1843 | Freshness in queries |
| http://www.annemini.com/?cat=2247 | How to query via e-mail |
| http://www.annemini.com/?cat=2674 | How to talk about your target audience without sounding boastful |
| http://www.annemini.com/?cat=1811 | How to write a query letter from scratch |
| http://www.annemini.com/?cat=2656 | How to write a query letter step by step |
| http://www.annemini.com/?cat=2673 | How to write a query's opening paragraph |
| http://www.annemini.com/?cat=39 | Industry etiquette |
| http://www.annemini.com/?cat=28 | Industry terminology |
| http://www.annemini.com/?cat=72 | Is it OK to query several agents at once? |
| http://www.annemini.com/?cat=20 | Keeping the faith |
| http://www.annemini.com/?cat=4 | Must Reads |
| http://www.annemini.com/?cat=301 | Query letter troubleshooting |
| http://www.annemini.com/?cat=1812 | Query letters for beginners |
| http://www.annemini.com/?cat=2649 | Queryfest! |
| http://www.annemini.com/?cat=10 | Querying |
| http://www.annemini.com/?cat=929 | Querying faux pas |
| http://www.annemini.com/?cat=70 | Querying multiple agents at once |
| http://www.annemini.com/?cat=102 | Querying or submitting to US agencies from outside the US |
| http://www.annemini.com/?cat=2248 | Querying via e-mail or online |
| http://www.annemini.com/?cat=2043 | Realistic expectations for queriers |
| http://www.annemini.com/?cat=2036 | Self-rejecting queries |
| http://www.annemini.com/?cat=577 | Small publishers |
| http://www.annemini.com/?cat=2231 | What are the polite ways to approach an agent? |
| http://www.annemini.com/?cat=2652 | What info should be in a query? |
| http://www.annemini.com/?cat=92 | Why generic queries don't work |
| http://www.annemini.com/?cat=2657 | Why might my query have gotten rejected? |
| http://www.annemini.com/?cat=2678 | Why shouldn't I send the same query to every agent? |
| http://www.annemini.com/?cat=2227 | Why you shouldn't query every agent in the country |
| http://www.annemini.com/?p=16200#respond | No Comments |
| http://www.annemini.com/?p=16180 | Queryfest, part VI: is this my best side? |
| http://www.annemini.com/wp-content/uploads/2009/12/cardinal-richelieu-tripych.jpg | |
| http://www.annemini.com/wp-content/uploads/2008/08/a-query-for-mme-b.jpg | |
| http://www.annemini.com/?cat=2254 | Approaching agents online or by e-mail |
| http://www.annemini.com/?cat=1096 | Author photo |
| http://www.annemini.com/?cat=289 | Book jackets and the things that go on them |
| http://www.annemini.com/?cat=2671 | But my book doesn't fit comfortably into just one category! |
| http://www.annemini.com/?cat=86 | E-mailing queries |
| http://www.annemini.com/?cat=1832 | Frankenstein queries |
| http://www.annemini.com/?cat=1843 | Freshness in queries |
| http://www.annemini.com/?cat=2672 | Getting a good author photo |
| http://www.annemini.com/?cat=2610 | How long before a request for pages expires? |
| http://www.annemini.com/?cat=2674 | How to talk about your target audience without sounding boastful |
| http://www.annemini.com/?cat=1811 | How to write a query letter from scratch |
| http://www.annemini.com/?cat=2656 | How to write a query letter step by step |
| http://www.annemini.com/?cat=2673 | How to write a query's opening paragraph |
| http://www.annemini.com/?cat=20 | Keeping the faith |
| http://www.annemini.com/?cat=1867 | Literary fiction queries |
| http://www.annemini.com/?cat=1021 | Memoir querying |
| http://www.annemini.com/?cat=2005 | Post-conference etiquette |
| http://www.annemini.com/?cat=301 | Query letter troubleshooting |
| http://www.annemini.com/?cat=1812 | Query letters for beginners |
| http://www.annemini.com/?cat=2649 | Queryfest! |
| http://www.annemini.com/?cat=10 | Querying |
| http://www.annemini.com/?cat=298 | Querying fatigue |
| http://www.annemini.com/?cat=929 | Querying faux pas |
| http://www.annemini.com/?cat=2252 | Querying forms on agency websites |
| http://www.annemini.com/?cat=1868 | Querying literary fiction |
| http://www.annemini.com/?cat=1187 | Querying memoir |
| http://www.annemini.com/?cat=2248 | Querying via e-mail or online |
| http://www.annemini.com/?cat=2043 | Realistic expectations for queriers |
| http://www.annemini.com/?cat=2036 | Self-rejecting queries |
| http://www.annemini.com/?cat=2263 | What an agent will expect a new client to know about the publishing industry -- a crash course |
| http://www.annemini.com/?cat=2231 | What are the polite ways to approach an agent? |
| http://www.annemini.com/?cat=2668 | What if I have more than one book to query? |
| http://www.annemini.com/?cat=2652 | What info should be in a query? |
| http://www.annemini.com/?cat=2667 | What makes a good author bio or photo? |
| http://www.annemini.com/?cat=2564 | What NOT to say to an agent interested in your work |
| http://www.annemini.com/?cat=2657 | Why might my query have gotten rejected? |
| http://www.annemini.com/?cat=62 | Your book's selling points |
| http://www.annemini.com/?p=16180#comments | 6 Comments |
| http://www.annemini.com/?p=16165 | Queryfest, part V: things are not always as they appear to be |
| http://www.annemini.com/wp-content/uploads/2011/09/flying-fish-2.jpg | |
| http://www.annemini.com/wp-content/uploads/2011/09/Mme-bovary-query.jpg | |
| http://www.annemini.com/?p=16136 | my last post |
| http://www.annemini.com/?p=16117 | my earlier post on the subject |
| http://www.annemini.com/wp-content/uploads/2011/09/too-familiar-query.jpg | |
| http://www.annemini.com/?cat=2656 | How to write a query letter step by step |
| http://www.annemini.com/?cat=2665 | How to write a query's book description paragraph |
| http://www.annemini.com/?cat=1930 | How to write a synopsis from scratch |
| http://www.annemini.com/?cat=2666 | How to write that pesky description of your book for a query |
| http://www.annemini.com/?cat=301 | Query letter troubleshooting |
| http://www.annemini.com/?p=16165#comments | 4 Comments |
| http://www.annemini.com/?p=16155 | Entr’acte: an increasingly common criticism that simply makes no sense in literate circles |
| http://www.annemini.com/?p=15993 | a recent post |
| http://www.annemini.com/?p=15661 | the commenter’s not having time to read a complex argument of any sort |
| http://www.annemini.com/?p=15980 | a claim that an entire post could have been summed up in a single rule |
| http://www.annemini.com/?p=15909 | a recent commenter excoriated me |
| http://www.annemini.com/?cat=2633 | Why are Author! Author! posts so long? |
| http://www.annemini.com/?p=16155#comments | 12 Comments |
| http://www.annemini.com/?p=16136 | Queryfest, part IV: wait, you mean it matters how it looks on the page? |
| http://www.annemini.com/wp-content/uploads/2011/09/illuminated-manuscript.jpg | |
| http://www.annemini.com/wp-content/uploads/2011/09/Mme-bovary-query.jpg | |
| http://www.annemini.com/wp-content/uploads/2008/08/bad-flaubert-query.jpg | |
| http://www.annemini.com/wp-content/uploads/2008/08/helvetica-mme-b.jpg | |
| http://www.annemini.com/wp-content/uploads/2011/09/large-font-query.jpg | |
| http://www.annemini.com/wp-content/uploads/2008/08/page-1-b-query.jpg | |
| http://www.annemini.com/wp-content/uploads/2008/08/page-2-bovary-q.jpg | |
| http://www.annemini.com/wp-content/uploads/2008/08/no-margins-query.jpg | |
| http://www.annemini.com/wp-content/uploads/2008/08/tiny-query.jpg | |
| http://www.annemini.com/wp-content/uploads/2008/08/shrunk-query.jpg | |
| http://www.annemini.com/wp-content/uploads/2011/09/Mme-bovary-query.jpg | |
| http://www.annemini.com/?cat=1335 | After you've been rejected |
| http://www.annemini.com/?cat=2254 | Approaching agents online or by e-mail |
| http://www.annemini.com/?cat=643 | Dear Agent letters |
| http://www.annemini.com/?cat=86 | E-mailing queries |
| http://www.annemini.com/?cat=1832 | Frankenstein queries |
| http://www.annemini.com/?cat=2246 | How to format an e-mailed query |
| http://www.annemini.com/?cat=1811 | How to write a query letter from scratch |
| http://www.annemini.com/?cat=2656 | How to write a query letter step by step |
| http://www.annemini.com/?cat=20 | Keeping the faith |
| http://www.annemini.com/?cat=1831 | Queries that are too long |
| http://www.annemini.com/?cat=2660 | Query formatting |
| http://www.annemini.com/?cat=301 | Query letter troubleshooting |
| http://www.annemini.com/?cat=1812 | Query letters for beginners |
| http://www.annemini.com/?cat=297 | Query letters illustrated |
| http://www.annemini.com/?cat=2649 | Queryfest! |
| http://www.annemini.com/?cat=10 | Querying |
| http://www.annemini.com/?cat=298 | Querying fatigue |
| http://www.annemini.com/?cat=929 | Querying faux pas |
| http://www.annemini.com/?cat=102 | Querying or submitting to US agencies from outside the US |
| http://www.annemini.com/?cat=2248 | Querying via e-mail or online |
| http://www.annemini.com/?cat=2043 | Realistic expectations for queriers |
| http://www.annemini.com/?cat=2036 | Self-rejecting queries |
| http://www.annemini.com/?cat=2663 | What an agent will expect your query to look like |
| http://www.annemini.com/?cat=2664 | What should a query letter look like? |
| http://www.annemini.com/?cat=2661 | What should a query look like? |
| http://www.annemini.com/?cat=2657 | Why might my query have gotten rejected? |
| http://www.annemini.com/?p=16136#comments | 3 Comments |
| http://www.annemini.com/?p=16129 | Queryfest, part III: eschewing the classic annoyance triggers, or, leaving that leaf unturned may cost you |
| http://www.annemini.com/wp-content/uploads/2011/09/autumn-leaf.jpg | |
| http://www.annemini.com/?cat=2293 | Common agents' pet peeves |
| http://www.annemini.com/?cat=1832 | Frankenstein queries |
| http://www.annemini.com/?cat=1811 | How to write a query letter from scratch |
| http://www.annemini.com/?cat=2656 | How to write a query letter step by step |
| http://www.annemini.com/?cat=28 | Industry terminology |
| http://www.annemini.com/?cat=1021 | Memoir querying |
| http://www.annemini.com/?cat=301 | Query letter troubleshooting |
| http://www.annemini.com/?cat=2649 | Queryfest! |
| http://www.annemini.com/?cat=10 | Querying |
| http://www.annemini.com/?cat=298 | Querying fatigue |
| http://www.annemini.com/?cat=929 | Querying faux pas |
| http://www.annemini.com/?cat=2043 | Realistic expectations for queriers |
| http://www.annemini.com/?cat=484 | Realistic expectations for writers |
| http://www.annemini.com/?cat=2036 | Self-rejecting queries |
| http://www.annemini.com/?cat=2652 | What info should be in a query? |
| http://www.annemini.com/?cat=30 | What is a book category? |
| http://www.annemini.com/?cat=2657 | Why might my query have gotten rejected? |
| http://www.annemini.com/?p=16129#comments | 3 Comments |
| http://www.annemini.com/?p=16117 | Queryfest, part II: the infamous self-rejecting query, or, when is a letter addressed to a business not a business letter? |
| http://www.annemini.com/wp-content/uploads/2011/09/not-equal-sign.jpg | |
| http://www.annemini.com/?p=13667 | a completely different standard format for manuscripts |
| http://www.annemini.com/?p=11721 | detail-oriented reader Kathy pointed out |
| http://www.annemini.com/?cat=2465 | Agency submission guidelines and how to read them |
| http://www.annemini.com/?cat=2254 | Approaching agents online or by e-mail |
| http://www.annemini.com/?cat=2293 | Common agents' pet peeves |
| http://www.annemini.com/?cat=643 | Dear Agent letters |
| http://www.annemini.com/?cat=86 | E-mailing queries |
| http://www.annemini.com/?cat=1854 | Eye-Catching Query Letter Candy |
| http://www.annemini.com/?cat=1843 | Freshness in queries |
| http://www.annemini.com/?cat=2246 | How to format an e-mailed query |
| http://www.annemini.com/?cat=1811 | How to write a query letter from scratch |
| http://www.annemini.com/?cat=2656 | How to write a query letter step by step |
| http://www.annemini.com/?cat=2659 | Indentation and why it isn't optional |
| http://www.annemini.com/?cat=39 | Industry etiquette |
| http://www.annemini.com/?cat=1848 | Platform paragraph in a query |
| http://www.annemini.com/?cat=2660 | Query formatting |
| http://www.annemini.com/?cat=301 | Query letter troubleshooting |
| http://www.annemini.com/?cat=2649 | Queryfest! |
| http://www.annemini.com/?cat=10 | Querying |
| http://www.annemini.com/?cat=94 | Querying ethics |
| http://www.annemini.com/?cat=929 | Querying faux pas |
| http://www.annemini.com/?cat=2248 | Querying via e-mail or online |
| http://www.annemini.com/?cat=2043 | Realistic expectations for queriers |
| http://www.annemini.com/?cat=484 | Realistic expectations for writers |
| http://www.annemini.com/?cat=2036 | Self-rejecting queries |
| http://www.annemini.com/?cat=2231 | What are the polite ways to approach an agent? |
| http://www.annemini.com/?cat=2651 | Why is there so much conflicting advice about queries? |
| http://www.annemini.com/?cat=2657 | Why might my query have gotten rejected? |
| http://www.annemini.com/?p=16117#comments | 9 Comments |
| http://www.annemini.com/?p=16100 | Queryfest 2011 is open for business — and the masses rejoice! |
| http://www.annemini.com/wp-content/uploads/2010/10/tickertape-parade.jpg | |
| http://www.annemini.com/?p=16052 | I may have mentioned last weekend |
| http://www.annemini.com/?p=11697#comment-31019 | clever and incisive reader Elizabeth commented |
| http://www.annemini.com/?p=16063 | here is how to go about submitting it |
| http://www.annemini.com/wp-content/uploads/2008/08/sample-query-to-mars.jpg | |
| http://www.annemini.com/?cat=2465 | Agency submission guidelines and how to read them |
| http://www.annemini.com/?cat=98 | Being an agent's dream client |
| http://www.annemini.com/?cat=2293 | Common agents' pet peeves |
| http://www.annemini.com/?cat=643 | Dear Agent letters |
| http://www.annemini.com/?cat=1832 | Frankenstein queries |
| http://www.annemini.com/?cat=1843 | Freshness in queries |
| http://www.annemini.com/?cat=1811 | How to write a query letter from scratch |
| http://www.annemini.com/?cat=2656 | How to write a query letter step by step |
| http://www.annemini.com/?cat=28 | Industry terminology |
| http://www.annemini.com/?cat=20 | Keeping the faith |
| http://www.annemini.com/?cat=1867 | Literary fiction queries |
| http://www.annemini.com/?cat=1021 | Memoir querying |
| http://www.annemini.com/?cat=303 | Nonfiction querying |
| http://www.annemini.com/?cat=1812 | Query letters for beginners |
| http://www.annemini.com/?cat=2649 | Queryfest! |
| http://www.annemini.com/?cat=10 | Querying |
| http://www.annemini.com/?cat=2043 | Realistic expectations for queriers |
| http://www.annemini.com/?cat=484 | Realistic expectations for writers |
| http://www.annemini.com/?cat=2036 | Self-rejecting queries |
| http://www.annemini.com/?cat=2231 | What are the polite ways to approach an agent? |
| http://www.annemini.com/?cat=2652 | What info should be in a query? |
| http://www.annemini.com/?cat=2654 | What is a query letter? |
| http://www.annemini.com/?cat=92 | Why generic queries don't work |
| http://www.annemini.com/?cat=2651 | Why is there so much conflicting advice about queries? |
| http://www.annemini.com/?cat=2657 | Why might my query have gotten rejected? |
| http://www.annemini.com/?cat=2227 | Why you shouldn't query every agent in the country |
| http://www.annemini.com/?p=16100#respond | No Comments |
| http://www.annemini.com/?p=16052 | Premises, premises |
| http://www.annemini.com/wp-content/uploads/2011/09/Sphinx-Boston.jpg | |
| http://www.annemini.com/?p=11269 | Kelly |
| http://www.annemini.com/?cat=146 | Agency screeners' pet peeves of the notorious variety |
| http://www.annemini.com/?cat=2289 | Anne's editorial pet peeves |
| http://www.annemini.com/?cat=2 | Art Of Revision |
| http://www.annemini.com/?cat=930 | Autobiographical fiction |
| http://www.annemini.com/?cat=207 | Building suspense |
| http://www.annemini.com/?cat=156 | But it really happened that way! |
| http://www.annemini.com/?cat=2640 | Character and conflict development in memoir |
| http://www.annemini.com/?cat=2625 | Character development in memoir |
| http://www.annemini.com/?cat=50 | Character development tips |
| http://www.annemini.com/?cat=1020 | Cliché avoidance |
| http://www.annemini.com/?cat=2295 | Common rejection triggers |
| http://www.annemini.com/?cat=22 | Constructing a narrative |
| http://www.annemini.com/?cat=1224 | Craft! In-depth analysis |
| http://www.annemini.com/?cat=1701 | Creating sufficiently odious antagonists |
| http://www.annemini.com/?cat=2429 | Descriptive shortcuts and narrative shorthand |
| http://www.annemini.com/?cat=1545 | Editing for complexity |
| http://www.annemini.com/?cat=1515 | Editing for freshness |
| http://www.annemini.com/?cat=1705 | Editing memoir |
| http://www.annemini.com/?cat=213 | First-person narration |
| http://www.annemini.com/?cat=158 | Freshness in manuscripts |
| http://www.annemini.com/?cat=2294 | Freshness in phrasing |
| http://www.annemini.com/?cat=1948 | Freshness in synopses |
| http://www.annemini.com/?cat=2395 | Genres and their conventions |
| http://www.annemini.com/?cat=2462 | Hasn't the narrative made that point already? |
| http://www.annemini.com/?cat=2501 | Hasn't the narrative used that phrasing already? |
| http://www.annemini.com/?cat=1783 | Is my manuscript dated? |
| http://www.annemini.com/?cat=35 | Literary fiction craft |
| http://www.annemini.com/?cat=1807 | Memoir openings and structure |
| http://www.annemini.com/?cat=2526 | Minimizing structural repetition and conceptual redundancy |
| http://www.annemini.com/?cat=1476 | Passive protagonists |
| http://www.annemini.com/?cat=1477 | Plot development |
| http://www.annemini.com/?cat=104 | Rejection: when they don't tell you why |
| http://www.annemini.com/?cat=145 | Revision tips |
| http://www.annemini.com/?cat=1762 | Secondary characters |
| http://www.annemini.com/?cat=1918 | Storytelling structure |
| http://www.annemini.com/?cat=2290 | The little things that drive the pros nuts |
| http://www.annemini.com/?cat=2062 | Tight third-person narration |
| http://www.annemini.com/?cat=2509 | What does and doesn't make a voice unique? |
| http://www.annemini.com/?cat=2520 | Why sounding like your favorite author from a decade ago might not work well now |
| http://www.annemini.com/?cat=2447 | Why what worked in the 19th century might not work on the page today |
| http://www.annemini.com/?cat=2489 | Why what worked in the latest bestseller might not work tomorrow |
| http://www.annemini.com/?cat=531 | Writing advice truisms |
| http://www.annemini.com/?cat=419 | Writing clichés |
| http://www.annemini.com/?cat=31 | Writing memoir |
| http://www.annemini.com/?cat=2638 | Writing the real |
| http://www.annemini.com/?p=16052#comments | 4 Comments |
| http://www.annemini.com/?p=16063 | An update on the Author! Author! Perfect Pitch Competition of 2011 — and would anyone out there like to be a guinea pig for Queryfest? |
| http://www.annemini.com/wp-content/uploads/2011/09/guinea-pig3.jpg | |
| http://www.annemini.com/wp-content/uploads/2011/09/guinea-pig2.jpg | |
| http://www.annemini.com/wp-content/uploads/2011/09/guinea-pig.jpg | |
| http://www.annemini.com/?p=15909 | Author! Author! Perfect Pitch Competition of 2011 |
| http://www.annemini.com/?p=15633 | The elevator speech |
| http://www.annemini.com/?p=15780 | The formal 2-minute pitch |
| http://www.annemini.com/?page_id=221 | Mini Consult |
| http://www.annemini.com/?p=13667 | standard format for book manuscripts |
| http://www.annemini.com/?p=15633 | the elevator speech |
| http://www.annemini.com/?p=15780 | the formal 2-minute pitch |
| http://www.annemini.com/?cat=658 | Author! Author! Awards for Expressive Excellence |
| http://www.annemini.com/?p=16063#comments | 2 Comments |
| http://www.annemini.com/?paged=2 | |
| http://www.annemini.com/?page_id=10 | Anne's Bio |
| http://www.annemini.com/?page_id=221 | Personal Consultations? |
| http://www.annemini.com/?page_id=1328 | Representation |
| http://www.annemini.com/?page_id=785 | What’s up with A Family Darkly? |
| http://www.annemini.com/?m=201110 | October 2011 |
| http://www.annemini.com/?m=201109 | September 2011 |
| http://www.annemini.com/?m=201108 | August 2011 |
| http://www.annemini.com/?m=201107 | July 2011 |
| http://www.annemini.com/?m=201106 | June 2011 |
| http://www.annemini.com/?m=201105 | May 2011 |
| http://www.annemini.com/?m=201104 | April 2011 |
| http://www.annemini.com/?m=201103 | March 2011 |
| http://www.annemini.com/?m=201102 | February 2011 |
| http://www.annemini.com/?m=201101 | January 2011 |
| http://www.annemini.com/?m=201012 | December 2010 |
| http://www.annemini.com/?m=201011 | November 2010 |
| http://www.annemini.com/?m=201010 | October 2010 |
| http://www.annemini.com/?m=201009 | September 2010 |
| http://www.annemini.com/?m=201008 | August 2010 |
| http://www.annemini.com/?m=201007 | July 2010 |
| http://www.annemini.com/?m=201006 | June 2010 |
| http://www.annemini.com/?m=201005 | May 2010 |
| http://www.annemini.com/?m=201004 | April 2010 |
| http://www.annemini.com/?m=201003 | March 2010 |
| http://www.annemini.com/?m=201002 | February 2010 |
| http://www.annemini.com/?m=201001 | January 2010 |
| http://www.annemini.com/?m=200912 | December 2009 |
| http://www.annemini.com/?m=200911 | November 2009 |
| http://www.annemini.com/?m=200910 | October 2009 |
| http://www.annemini.com/?m=200909 | September 2009 |
| http://www.annemini.com/?m=200908 | August 2009 |
| http://www.annemini.com/?m=200907 | July 2009 |
| http://www.annemini.com/?m=200906 | June 2009 |
| http://www.annemini.com/?m=200905 | May 2009 |
| http://www.annemini.com/?m=200904 | April 2009 |
| http://www.annemini.com/?m=200903 | March 2009 |
| http://www.annemini.com/?m=200902 | February 2009 |
| http://www.annemini.com/?m=200901 | January 2009 |
| http://www.annemini.com/?m=200812 | December 2008 |
| http://www.annemini.com/?m=200811 | November 2008 |
| http://www.annemini.com/?m=200810 | October 2008 |
| http://www.annemini.com/?m=200809 | September 2008 |
| http://www.annemini.com/?m=200808 | August 2008 |
| http://www.annemini.com/?m=200807 | July 2008 |
| http://www.annemini.com/?m=200806 | June 2008 |
| http://www.annemini.com/?m=200805 | May 2008 |
| http://www.annemini.com/?m=200804 | April 2008 |
| http://www.annemini.com/?m=200803 | March 2008 |
| http://www.annemini.com/?m=200802 | February 2008 |
| http://www.annemini.com/?m=200801 | January 2008 |
| http://www.annemini.com/?m=200712 | December 2007 |
| http://www.annemini.com/?m=200711 | November 2007 |
| http://www.annemini.com/?m=200710 | October 2007 |
| http://www.annemini.com/?m=200709 | September 2007 |
| http://www.annemini.com/?m=200708 | August 2007 |
| http://www.annemini.com/?m=200707 | July 2007 |
| http://www.annemini.com/?m=200706 | June 2007 |
| http://www.annemini.com/?m=200705 | May 2007 |
| http://www.annemini.com/?m=200704 | April 2007 |
| http://www.annemini.com/?m=200703 | March 2007 |
| http://www.annemini.com/?m=200702 | February 2007 |
| http://www.annemini.com/?m=200701 | January 2007 |
| http://www.annemini.com/?m=200612 | December 2006 |
| http://www.annemini.com/?m=200611 | November 2006 |
| http://www.annemini.com/?m=200610 | October 2006 |
| http://www.annemini.com/?m=200609 | September 2006 |
| http://www.annemini.com/?m=200608 | August 2006 |
| http://www.annemini.com/?m=200607 | July 2006 |
| http://www.annemini.com/?m=200606 | June 2006 |
| http://www.annemini.com/?m=200605 | May 2006 |
| http://www.annemini.com/?m=200604 | April 2006 |
| http://www.annemini.com/?m=200603 | March 2006 |
| http://www.annemini.com/?m=200602 | February 2006 |
| http://www.annemini.com/?m=200601 | January 2006 |
| http://www.annemini.com/?m=200512 | December 2005 |
| http://www.annemini.com/?m=200511 | November 2005 |
| http://www.annemini.com/?m=200510 | October 2005 |
| http://www.annemini.com/?m=200509 | September 2005 |
| http://www.annemini.com/?m=200508 | August 2005 |
| http://www.annemini.com/?cat=2209 | *Author! Author! Interview videos |
| http://www.annemini.com/?cat=2010 | *Start here if you are a beginner at trying to get published |
| http://www.annemini.com/?cat=2105 | If you read only one post on Author! Author — this should be it |
| http://www.annemini.com/?cat=2458 | Is it okay to look for an agent before I've written a complete draft? |
| http://www.annemini.com/?cat=2175 | New Year's resolutions on writing |
| http://www.annemini.com/?cat=1812 | Query letters for beginners |
| http://www.annemini.com/?cat=544 | Start with these posts if you are brand-new to publishing |
| http://www.annemini.com/?cat=1398 | The manuscript formatting rules |
| http://www.annemini.com/?cat=2543 | What is conference pitching and why would I want to do it? |
| http://www.annemini.com/?cat=2633 | Why are Author! Author! posts so long? |
| http://www.annemini.com/?cat=2200 | Why are there so many different sets of writing rules online? |
| http://www.annemini.com/?cat=2651 | Why is there so much conflicting advice about queries? |
| http://www.annemini.com/?cat=669 | Academic writing |
| http://www.annemini.com/?cat=27 | Advances |
| http://www.annemini.com/?cat=2009 | After… |
| http://www.annemini.com/?cat=2677 | After an agent has said no |
| http://www.annemini.com/?cat=1355 | After an agent makes an offer |
| http://www.annemini.com/?cat=2467 | After an editor decides to acquire a book |
| http://www.annemini.com/?cat=2260 | After you have queried or pitched |
| http://www.annemini.com/?cat=19 | After you land a publisher |
| http://www.annemini.com/?cat=2269 | After you land an agent |
| http://www.annemini.com/?cat=1174 | After you receive a request for pages |
| http://www.annemini.com/?cat=95 | After you submit |
| http://www.annemini.com/?cat=1335 | After you've been rejected |
| http://www.annemini.com/?cat=1889 | After you've made a successful pitch |
| http://www.annemini.com/?cat=2587 | After you've made an unsuccessful pitch |
| http://www.annemini.com/?cat=108 | Getting that submission out the door |
| http://www.annemini.com/?cat=105 | Time between sale & publication |
| http://www.annemini.com/?cat=2508 | What happens when a writer sends out a manuscript too soon |
| http://www.annemini.com/?cat=376 | What if more than one agent asks to see my manuscript? |
| http://www.annemini.com/?cat=2564 | What NOT to say to an agent interested in your work |
| http://www.annemini.com/?cat=592 | What to ask an agent who offers to represent you |
| http://www.annemini.com/?cat=2013 | Agencies and how to work with them |
| http://www.annemini.com/?cat=18 | After you land an agent |
| http://www.annemini.com/?cat=562 | Agency contracts |
| http://www.annemini.com/?cat=98 | Being an agent's dream client |
| http://www.annemini.com/?cat=2609 | Deal memos |
| http://www.annemini.com/?cat=2176 | What an agent means by a book proposal |
| http://www.annemini.com/?cat=2263 | What an agent will expect a new client to know about the publishing industry — a crash course |
| http://www.annemini.com/?cat=2089 | What an agent will expect your manuscript to look like |
| http://www.annemini.com/?cat=2663 | What an agent will expect your query to look like |
| http://www.annemini.com/?cat=589 | Working well with an agent |
| http://www.annemini.com/?cat=100 | Agency guides |
| http://www.annemini.com/?cat=1 | Agents |
| http://www.annemini.com/?cat=2034 | Agents — landing the right one for your book |
| http://www.annemini.com/?cat=2465 | Agency submission guidelines and how to read them |
| http://www.annemini.com/?cat=2560 | Approaching agents at conferences |
| http://www.annemini.com/?cat=2254 | Approaching agents online or by e-mail |
| http://www.annemini.com/?cat=2293 | Common agents' pet peeves |
| http://www.annemini.com/?cat=52 | First pages agents tend to dislike |
| http://www.annemini.com/?cat=2002 | Generating a querying list |
| http://www.annemini.com/?cat=482 | How can I tell if an agent is reputable? |
| http://www.annemini.com/?cat=1185 | How much of a book must be written before I can pitch or query it? |
| http://www.annemini.com/?cat=2469 | Is it OK to approach two agents at the same agency? |
| http://www.annemini.com/?cat=72 | Is it OK to query several agents at once? |
| http://www.annemini.com/?cat=1145 | Is it OK to submit to several agents at once? |
| http://www.annemini.com/?cat=2261 | Realistic expectations for pitchers |
| http://www.annemini.com/?cat=2043 | Realistic expectations for queriers |
| http://www.annemini.com/?cat=2242 | Realistic expectations for submitters |
| http://www.annemini.com/?cat=2231 | What are the polite ways to approach an agent? |
| http://www.annemini.com/?cat=2652 | What info should be in a query? |
| http://www.annemini.com/?cat=2661 | What should a query look like? |
| http://www.annemini.com/?cat=1310 | Why do I need an agent? |
| http://www.annemini.com/?cat=90 | Why haven't I heard back yet? |
| http://www.annemini.com/?cat=2545 | Why might I consider pitching instead of querying? |
| http://www.annemini.com/?cat=2678 | Why shouldn't I send the same query to every agent? |
| http://www.annemini.com/?cat=2227 | Why you shouldn't query every agent in the country |
| http://www.annemini.com/?cat=5 | Anne's Book Picks |
| http://www.annemini.com/?cat=2289 | Anne's editorial pet peeves |
| http://www.annemini.com/?cat=1336 | Anne's favorite posts |
| http://www.annemini.com/?cat=17 | Author bio |
| http://www.annemini.com/?cat=1096 | Author photo |
| http://www.annemini.com/?cat=2288 | Author readings and why you should attend them |
| http://www.annemini.com/?cat=658 | Author! Author! Awards for Expressive Excellence |
| http://www.annemini.com/?cat=930 | Autobiographical fiction |
| http://www.annemini.com/?cat=340 | Back jacket blurbs |
| http://www.annemini.com/?cat=97 | Back-up copies |
| http://www.annemini.com/?cat=212 | Bad laughter |
| http://www.annemini.com/?cat=291 | Binding your work |
| http://www.annemini.com/?cat=2011 | Book categories |
| http://www.annemini.com/?cat=2671 | But my book doesn't fit comfortably into just one category! |
| http://www.annemini.com/?cat=2395 | Genres and their conventions |
| http://www.annemini.com/?cat=1822 | How to figure out your book's category |
| http://www.annemini.com/?cat=30 | What is a book category? |
| http://www.annemini.com/?cat=238 | Book concept |
| http://www.annemini.com/?cat=289 | Book jackets and the things that go on them |
| http://www.annemini.com/?cat=64 | Book keynote |
| http://www.annemini.com/?cat=79 | Book length |
| http://www.annemini.com/?cat=58 | Book marketing 101 |
| http://www.annemini.com/?cat=2533 | Book promotion from the author's perspective |
| http://www.annemini.com/?cat=81 | Book promotion |
| http://www.annemini.com/?cat=2046 | Book reviews and how they work |
| http://www.annemini.com/?cat=368 | Book tours |
| http://www.annemini.com/?cat=2537 | Coming up with a marketing plan |
| http://www.annemini.com/?cat=601 | Dealing with readers' reactions to one's books |
| http://www.annemini.com/?cat=2568 | Figuring out your book's selling points |
| http://www.annemini.com/?cat=2672 | Getting a good author photo |
| http://www.annemini.com/?cat=2530 | Giving a good author interview |
| http://www.annemini.com/?cat=2539 | Giving good author readings |
| http://www.annemini.com/?cat=2536 | Setting up your own book signings |
| http://www.annemini.com/?cat=2535 | Wait — I might not get to choose my book's title? |
| http://www.annemini.com/?cat=2667 | What makes a good author bio or photo? |
| http://www.annemini.com/?cat=129 | Book proposals |
| http://www.annemini.com/?cat=1292 | Book publishing basics |
| http://www.annemini.com/?cat=233 | Building blocks of a pitch or query |
| http://www.annemini.com/?cat=61 | Building your writing résumé |
| http://www.annemini.com/?cat=99 | Calls for submissions |
| http://www.annemini.com/?cat=574 | Censorship subtle and otherwise |
| http://www.annemini.com/?cat=1268 | Changing nature of publishing |
| http://www.annemini.com/?cat=2017 | Character development |
| http://www.annemini.com/?cat=2625 | Character development in memoir |
| http://www.annemini.com/?cat=50 | Character development tips |
| http://www.annemini.com/?cat=2392 | Character-revealing dialogue |
| http://www.annemini.com/?cat=1701 | Creating sufficiently odious antagonists |
| http://www.annemini.com/?cat=2316 | Introducing physical descriptions |
| http://www.annemini.com/?cat=2401 | Relationship development |
| http://www.annemini.com/?cat=1762 | Secondary characters |
| http://www.annemini.com/?cat=2525 | Selecting distinctive character names |
| http://www.annemini.com/?cat=2304 | Showing (not telling) character |
| http://www.annemini.com/?cat=2453 | Subtle ways to make characters seem more or less intelligent |
| http://www.annemini.com/?cat=142 | Collaboration |
| http://www.annemini.com/?cat=2018 | Conferences that cater to writers |
| http://www.annemini.com/?cat=2019 | Contests and how to enter them successfully |
| http://www.annemini.com/?cat=134 | Contest entry bugbears |
| http://www.annemini.com/?cat=21 | Contest entry prep |
| http://www.annemini.com/?cat=227 | Contest judging criteria |
| http://www.annemini.com/?cat=133 | Contest rules and how to follow them |
| http://www.annemini.com/?cat=126 | Contest synopsis-writing |
| http://www.annemini.com/?cat=125 | Finding the right contest to enter |
| http://www.annemini.com/?cat=1133 | I'm a finalist — what now? |
| http://www.annemini.com/?cat=123 | Copyright issues |
| http://www.annemini.com/?cat=2012 | Craft and plenty of it |
| http://www.annemini.com/?cat=1217 | Action scenes |
| http://www.annemini.com/?cat=1711 | Avoiding killing your darlings |
| http://www.annemini.com/?cat=1754 | Backstory and how to work it into a plot |
| http://www.annemini.com/?cat=1456 | Beginning and ending a book |
| http://www.annemini.com/?cat=207 | Building suspense |
| http://www.annemini.com/?cat=1672 | Character blurring |
| http://www.annemini.com/?cat=1020 | Cliché avoidance |
| http://www.annemini.com/?cat=147 | Conflict-building |
| http://www.annemini.com/?cat=22 | Constructing a narrative |
| http://www.annemini.com/?cat=1224 | Craft! In-depth analysis |
| http://www.annemini.com/?cat=2429 | Descriptive shortcuts and narrative shorthand |
| http://www.annemini.com/?cat=417 | False suspense |
| http://www.annemini.com/?cat=152 | Flashbacks |
| http://www.annemini.com/?cat=2496 | Good writing habits to form |
| http://www.annemini.com/?cat=151 | Hollywood narration |
| http://www.annemini.com/?cat=415 | Hooks |
| http://www.annemini.com/?cat=421 | Jargon usage |
| http://www.annemini.com/?cat=2485 | Narrative consistency |
| http://www.annemini.com/?cat=528 | Pacing a scene |
| http://www.annemini.com/?cat=1476 | Passive protagonists |
| http://www.annemini.com/?cat=1140 | Passive voice and why you should eschew it |
| http://www.annemini.com/?cat=215 | Plausibility |
| http://www.annemini.com/?cat=1477 | Plot development |
| http://www.annemini.com/?cat=205 | Protagonist likability |
| http://www.annemini.com/?cat=507 | Protagonist memorability |
| http://www.annemini.com/?cat=157 | Real stories told as fiction |
| http://www.annemini.com/?cat=196 | Realistic dialogue |
| http://www.annemini.com/?cat=2402 | Running order |
| http://www.annemini.com/?cat=2131 | Setting time and place |
| http://www.annemini.com/?cat=162 | Show don't tell |
| http://www.annemini.com/?cat=1918 | Storytelling structure |
| http://www.annemini.com/?cat=208 | Suspense-building |
| http://www.annemini.com/?cat=440 | Tense-switching |
| http://www.annemini.com/?cat=154 | Tension-building |
| http://www.annemini.com/?cat=1457 | The End |
| http://www.annemini.com/?cat=1216 | Vivid details |
| http://www.annemini.com/?cat=159 | Voice |
| http://www.annemini.com/?cat=1798 | What makes a great page 1? |
| http://www.annemini.com/?cat=2520 | Why sounding like your favorite author from a decade ago might not work well now |
| http://www.annemini.com/?cat=2447 | Why what worked in the 19th century might not work on the page today |
| http://www.annemini.com/?cat=2489 | Why what worked in the latest bestseller might not work tomorrow |
| http://www.annemini.com/?cat=275 | Write what you know |
| http://www.annemini.com/?cat=80 | Writing comedy |
| http://www.annemini.com/?cat=2330 | Writing love scenes |
| http://www.annemini.com/?cat=67 | Writing on dark topics |
| http://www.annemini.com/?cat=2638 | Writing the real |
| http://www.annemini.com/?cat=2513 | Writing the unreal |
| http://www.annemini.com/?cat=611 | Dark comedy |
| http://www.annemini.com/?cat=1121 | Deadlines and how to meet them |
| http://www.annemini.com/?cat=2023 | Dialogue and how to write it well |
| http://www.annemini.com/?cat=1688 | Dialogue that adds to the scene |
| http://www.annemini.com/?cat=520 | Dialogue that moves quickly |
| http://www.annemini.com/?cat=1714 | Dialogue that moves TOO quickly |
| http://www.annemini.com/?cat=42 | Dialogue that rings true |
| http://www.annemini.com/?cat=810 | Dialogue-only scenes |
| http://www.annemini.com/?cat=2090 | Formatting dialogue |
| http://www.annemini.com/?cat=426 | Interview scenes that work |
| http://www.annemini.com/?cat=2452 | Jargon in dialogue |
| http://www.annemini.com/?cat=2016 | Editing your own manuscript |
| http://www.annemini.com/?cat=2 | Art Of Revision |
| http://www.annemini.com/?cat=156 | But it really happened that way! |
| http://www.annemini.com/?cat=1792 | Drama vs melodrama |
| http://www.annemini.com/?cat=1282 | Editing dialogue |
| http://www.annemini.com/?cat=2515 | Editing fantasy |
| http://www.annemini.com/?cat=1550 | Editing for clarity |
| http://www.annemini.com/?cat=1545 | Editing for complexity |
| http://www.annemini.com/?cat=1515 | Editing for freshness |
| http://www.annemini.com/?cat=2476 | Editing for humor |
| http://www.annemini.com/?cat=173 | Editing for length |
| http://www.annemini.com/?cat=1692 | Editing for pacing |
| http://www.annemini.com/?cat=2514 | Editing for plausibility |
| http://www.annemini.com/?cat=1635 | Editing for style |
| http://www.annemini.com/?cat=2486 | Editing for voice |
| http://www.annemini.com/?cat=1705 | Editing memoir |
| http://www.annemini.com/?cat=1585 | Editing the opening pages |
| http://www.annemini.com/?cat=2435 | How and why politeness can make a scene drag |
| http://www.annemini.com/?cat=1783 | Is my manuscript dated? |
| http://www.annemini.com/?cat=2331 | Making physical contact come to life on the page |
| http://www.annemini.com/?cat=25 | Manuscript megaproblems |
| http://www.annemini.com/?cat=2526 | Minimizing structural repetition and conceptual redundancy |
| http://www.annemini.com/?cat=1548 | Perspective switching |
| http://www.annemini.com/?cat=2317 | Plot flares |
| http://www.annemini.com/?cat=155 | Pulling the reader out of the story |
| http://www.annemini.com/?cat=56 | Purging protagonist passivity |
| http://www.annemini.com/?cat=153 | Sagging in the middle |
| http://www.annemini.com/?cat=2372 | Slow openings |
| http://www.annemini.com/?cat=1769 | Tag lines and how to minimize them |
| http://www.annemini.com/?cat=2290 | The little things that drive the pros nuts |
| http://www.annemini.com/?cat=419 | Writing clichés |
| http://www.annemini.com/?cat=2216 | Editors and how to work with publishing houses |
| http://www.annemini.com/?cat=2217 | Book contracts |
| http://www.annemini.com/?cat=2218 | Editorial committees |
| http://www.annemini.com/?cat=2219 | Editorial memos |
| http://www.annemini.com/?cat=9 | Editors |
| http://www.annemini.com/?cat=2222 | Hardcover vs trade paper |
| http://www.annemini.com/?cat=2223 | How authors get paid for their books |
| http://www.annemini.com/?cat=2562 | How big may I expect my initial print run to be? |
| http://www.annemini.com/?cat=2221 | How much time passes between contract and publication? |
| http://www.annemini.com/?cat=2550 | PItching to editors at conferences |
| http://www.annemini.com/?cat=2224 | Unsolicited submissions |
| http://www.annemini.com/?cat=2466 | What happens if an editor falls in love with my book? |
| http://www.annemini.com/?cat=2220 | Who has ultimate say over a book's title? |
| http://www.annemini.com/?cat=2234 | Electronic querying and submission |
| http://www.annemini.com/?cat=85 | E-mailed submissions |
| http://www.annemini.com/?cat=86 | E-mailing queries |
| http://www.annemini.com/?cat=2235 | How to e-mail requested materials |
| http://www.annemini.com/?cat=2246 | How to format an e-mailed query |
| http://www.annemini.com/?cat=2252 | Querying forms on agency websites |
| http://www.annemini.com/?cat=148 | Epigraphs |
| http://www.annemini.com/?cat=1719 | Ergonomics |
| http://www.annemini.com/?cat=327 | Exclusives and multiple submission |
| http://www.annemini.com/?cat=33 | Fee-charging agencies |
| http://www.annemini.com/?cat=2025 | Feedback on your writing |
| http://www.annemini.com/?cat=122 | Critique groups |
| http://www.annemini.com/?cat=138 | Feedback incorporation |
| http://www.annemini.com/?cat=463 | Feedback that's actually helpful |
| http://www.annemini.com/?cat=137 | Getting good at accepting feedback |
| http://www.annemini.com/?cat=37 | Getting good feedback |
| http://www.annemini.com/?cat=38 | Finances for writers |
| http://www.annemini.com/?cat=41 | Finding agents to query |
| http://www.annemini.com/?cat=404 | Finding time to write |
| http://www.annemini.com/?cat=2087 | Formatpalooza! |
| http://www.annemini.com/?cat=14 | Formatting manuscripts |
| http://www.annemini.com/?cat=2153 | Frankenstein phenomena in submissions |
| http://www.annemini.com/?cat=1620 | Frankenstein manuscripts |
| http://www.annemini.com/?cat=1832 | Frankenstein queries |
| http://www.annemini.com/?cat=2154 | Frankenstein voice and punctuation issues |
| http://www.annemini.com/?cat=2462 | Hasn't the narrative made that point already? |
| http://www.annemini.com/?cat=2501 | Hasn't the narrative used that phrasing already? |
| http://www.annemini.com/?cat=114 | Freelance editors |
| http://www.annemini.com/?cat=950 | Freelance writing |
| http://www.annemini.com/?cat=222 | Freshness |
| http://www.annemini.com/?cat=2574 | Freshness in a pitch |
| http://www.annemini.com/?cat=2184 | Freshness in book proposals |
| http://www.annemini.com/?cat=158 | Freshness in manuscripts |
| http://www.annemini.com/?cat=2294 | Freshness in phrasing |
| http://www.annemini.com/?cat=1843 | Freshness in queries |
| http://www.annemini.com/?cat=1948 | Freshness in synopses |
| http://www.annemini.com/?cat=2373 | Freshness on page 1 |
| http://www.annemini.com/?cat=515 | Genre fiction |
| http://www.annemini.com/?cat=1293 | Getting a book published basics |
| http://www.annemini.com/?cat=106 | Getting a book reviewed |
| http://www.annemini.com/?cat=679 | Getting paid for your writing |
| http://www.annemini.com/?cat=1366 | Getting started on your next book |
| http://www.annemini.com/?cat=113 | Great gifts for writers |
| http://www.annemini.com/?cat=140 | Guest blogs & interviews |
| http://www.annemini.com/?cat=110 | Guidelines for posting comments |
| http://www.annemini.com/?cat=2490 | Helpful habits for writers |
| http://www.annemini.com/?cat=538 | How do manuscripts get published? |
| http://www.annemini.com/?cat=2610 | How long before a request for pages expires? |
| http://www.annemini.com/?cat=1000 | How long is too long for a manuscript? |
| http://www.annemini.com/?cat=1291 | How the publishing industry works — and doesn't |
| http://www.annemini.com/?cat=2026 | How to… |
| http://www.annemini.com/?cat=1900 | How can I choose between competing advice? |
| http://www.annemini.com/?cat=115 | How do I find a freelance editor? |
| http://www.annemini.com/?cat=409 | How NOT to write a first page |
| http://www.annemini.com/?cat=861 | How to decide which contests are worth your time to enter |
| http://www.annemini.com/?cat=2116 | How to estimate word count — and why |
| http://www.annemini.com/?cat=1821 | How to figure out your book's category |
| http://www.annemini.com/?cat=1999 | How to find agents to query |
| http://www.annemini.com/?cat=357 | How to format a book manuscript |
| http://www.annemini.com/?cat=1390 | How to format a book proposal |
| http://www.annemini.com/?cat=1399 | How to format a title page |
| http://www.annemini.com/?cat=1058 | How to put together a query packet |
| http://www.annemini.com/?cat=315 | How to put together a submission packet |
| http://www.annemini.com/?cat=2247 | How to query via e-mail |
| http://www.annemini.com/?cat=101 | How to read an agency listing |
| http://www.annemini.com/?cat=2237 | How to remove a slug line from a title page |
| http://www.annemini.com/?cat=1897 | How to respond to a request for a partial |
| http://www.annemini.com/?cat=369 | How to set up book signings |
| http://www.annemini.com/?cat=1030 | How to write a 1-page synopsis |
| http://www.annemini.com/?cat=130 | How to write a book proposal |
| http://www.annemini.com/?cat=1974 | How to write a memoir synopsis |
| http://www.annemini.com/?cat=2586 | How to write a nonfiction pitch |
| http://www.annemini.com/?cat=337 | How to write a nonfiction synopsis |
| http://www.annemini.com/?cat=225 | How to write a pitch |
| http://www.annemini.com/?cat=902 | How to write a pitch at the last minute |
| http://www.annemini.com/?cat=2579 | How to write a pitch only three sentences long (if you must) |
| http://www.annemini.com/?cat=1811 | How to write a query letter from scratch |
| http://www.annemini.com/?cat=299 | How to write a query letter in a hurry |
| http://www.annemini.com/?cat=2665 | How to write a query's book description paragraph |
| http://www.annemini.com/?cat=2673 | How to write a query's opening paragraph |
| http://www.annemini.com/?cat=1008 | How to write a really good query letter |
| http://www.annemini.com/?cat=1063 | How to write a really good synopsis |
| http://www.annemini.com/?cat=127 | How to write a synopsis for a contest |
| http://www.annemini.com/?cat=1965 | How to write a synopsis for a multiple-protagonist novel |
| http://www.annemini.com/?cat=1930 | How to write a synopsis from scratch |
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